Software so easy, it removes all artistic skill….
I know, there are a lot of people that this new piece of software will piss off.
It’s exquisite. It’s everything I dreamed of when I was a kid- robotics, in-camera film effects, precision. The San Francisco based firm of Bot & Dolly has pretty much upped the game for everything involving projectionmapping in real-time and combined it with extreme robotic film making. It seems a natural progression though, and I can’t think of anyone more capable and qualified to do it. But before we give in to our Robot Overlords, let’s remember they still need to be told what to do. It’s just that they do it over and over again with ridiculous precision and razor-accuracy. I don’t know what they used for projectors, but I suppose it wouldn’t take much in terms of lumens for a project like this. Projection software on the other hand was accomplished with Touchdesigner. As advanced as Touchdesigner is, the more you watch what they’re doing with the Iris robotic arm the more you realize that projectionmapping is the easy part. They have an entire array of tools at their disposal- BD Live, BD Time, and the stunning BD Wheel- a hand-held control wheel that allows you to scrub through a shot or attenuate playback speed. If you’ve ever been to the Museum of Science and Industry in Chicago and seen their toy manufacturing display – this is like that x1000. They have a couple of Motoman robotic arms that you can race and play against…but this scale is entirely different.
It’s not hard to discern where or how the effects are in-camera, but the marriage of the elements is what overwhelms me about Box. That, and the sound. That first big whoosh at 1:24 is just plain sensual.
Tobias Kinnebrew of B&D explains: “Box explores the synthesis of real and digital space through projection-mapping on robotically controlled moving surfaces. The short film documents a live performance, captured entirely in camera. Bot & Dolly created this work as both an artistic statement and a technical demonstration. It is the product of an experience vision realized through the integration of multiple technologies pivoting on our software platform BD Movetm for precision control of robotics.” It doesn’t take a lot of imagination to extrapolate where you can go with this type of gear on a film set. With the extreme precision and playback capabilities, the possibilities are truly endless. I gotta get out to the coast and see this in person. That’s all there is to it.
Absolute heaven. Dig it!
From AV Interactive:
Digital Projection, the UK based manufacturer of DLP projectors, has been shortlisted for the best ‘Specialist projector of the year’ in the annual prestigious AV Awards.
The projector has been recognised for its 20,000 lumen output from such a small and compact chassis, and the overall winner will be announced on 11th October 2013 at the Hilton Hotel in London, UK.
Commenting on the shortlisting, Dermot Quinn, COO & Director of Development said, ” The remit set for the Development Team was to create a projector with the luminance and colour performance traditionally associated with Xenon, but with the compactness, reliability and low cost of ownership of mercury lamp technology. Highly specialised, software controlled cooling has been developed to keep each lamp within its ideal thermal operating range, the performance of each arc being constantly monitored to maintain coupling efficiency over life. The result is not only very a high initial light output, but also exceptional lumen maintenance over the lamps life.Comprehensive video processing and fully automatic, user-friendly HDMI 1.4 3D offers flicker free 120Hz frame rate capability. These ultra high bandwidth inputs with zero latency compliment the Warp, Blend, and PIP to offer a projector for any venue”
They’re up against the Panny PT-DZ21K 20k and the Epson EB-G6900WU. No word on the over/under for this race, but my money’s on DP.
For you Touchdesigner followers, Touch In-N-Out Meetup is in Brooklyn this Friday Sept. 6th. Dev Harlan and Barry Threw will be on hand to discuss their work with Touchdesigner and give attendees a rare glimpse into the world of this great piece of software and it’s influence on the industry. Head over to TouchIn NYC to RSVP and get directions. If you’re anywhere near the Eastern Seaboard and want to attend an incredible session- this would be the one!
Rumor has it there will be a live stream, so stay tuned- I’ll post a link if one becomes available.
I’ve been a Clancy fan from the beginnings of Rainbow Six to the latest release of Splinter Cell- even going so far as to join gaming ladders and lose myself in FPS overload. So I was absolutely giddy when I saw the latest press from Leviathan. Looks like Touchdesigner was the weapon of choice for the mockups and playback…read on:
From our friends to the North:
CHICAGO – Aug. 27, 2013 – The principals of the award-winning Leviathan creative studio are very proud to showcase their artistry for Ubisoft(R) Entertainment at this year’s Electronic Entertainment Expo (E3) trade show. At its global press conference streamed live worldwide this past June, Ubisoft dramatically announced the forthcoming release of the next blockbuster title in the critically acclaimed Tom Clancy franchise. That title, Tom Clancy’s Splinter Cell Blacklist, was released last week in the U.S. and Europe. Read the rest of this page »
I know- it’s been a while. The summer, sadly, has gone. I pretty much worked and relaxed and didn’t pay too much attention to the blog. Life is like that- hit it hard in some areas, lay low in others. But luckily those patterns are bound to shift and I feel change a’comin’. To start off, we just finished a multi-million dollar renovation to the theatre I work at…which sounds glorious on the surface. In reality, it was replacement of the seats and carpet, addition of air conditioning to the tech areas, and a lot of paint and roofing. Not at all what you’d think from a gear perspective, but we did get a kick-ass sound system out of the deal- details forthcoming….
But about the PODCAST! I’d toyed around with the idea of other media for a while but the opportunity never really presented itself and being a video guy, my heart wasn’t in it. But along came George Tucker from AV Nation with just enough idea and wax to spark me and viola! A podcast! But what the heck would anyone want to listen to? Projection stuff of course!
In the first of what I hope will be a series of casts, I interviewed Bryan Dodson (along with Michelle Dodson and Brian Blessinger) of Integrated Visions. You’ve seen them here before….they’ve done all manner of projectionmapping projects and curated an art show that used projectionmapping as the primary medium. I was completely honored to use the interview for the inaugural run of the Projectionfreak Podcast. Much thanks go to the IVP team for putting up with my schedule and really shedding some light on a fascinating subject. AV Nation has a ton of other podcasts as well with a wide range of projection related topics so be sure to give them a listen.
And about that schedule…..keep on reading- there’s some great stuff coming up (including some gear reviews)