Finally a review that I should’ve thought of. I don’t care about lumens, features, resolutions, lamp life, blahblahblah….I want to know if I can drive my truck over your projector! A couple of things strike me about this video. One- that DPI has a 20k that is small enough to drive over, and two- the International Sales and Marketing for DP drives the same truck as I do! Woo-hoo! When DPI sends me a unit to test, I too can drive over it with complete confidence. It’s no secret that we’re big DPI fans here at Projectionfreak. I use two of their Lightning 35hd’s all the time and they are outstanding. DPI is stepping up their rental and staging projectors with the Titan Super Quad 20k. It’s got 4 UHP lamps that can theoretically pull 8,000 hours of service, dual DVI, 3g-SDI, and HDMI 1.4 inputs, multimode warp and edge-blend, and an intelligent lens mount that can memorize positioning from .67 to 11.2:1. And it weighs just under 40kg so with the combined rigging frame it’s a cinch to fly two! Check out the RavePubs product video from ISE 2013 after you watch them try to crush it:
I thought this was a pretty unique way of ending a news year. Most of the time we’re treated to the same old ‘one-shot’ style story or a list of some sort….but projectionmapping is far cooler! Plus- who can’t resist a decent time-lapse? Juanjo Fernandez and his cohorts used a single 20k DPI to shoot this, although they said they’d rather have had 3 (who wouldn’t?)…real-world budgets- ugh.
Juanjo Fernandez of Gnomalab used Millumin to map it, along with:
Oscar Teston (Creator of VjSpain community) in art direction.
Rafel Gallego as Producer.
La bocina with the sound.
Romera diseño e Infografia, with the visual content, 3D and 2D.
all imagery courtesy/copyright Gnomalab
I’ll be running video and various other things for the Butler Ballet’s Nutcracker. It’s a huge production- 100 piece orchestra, 130 cast, kitchen sink and all. I use a Digital Projection Lightning 35hd fed by a Macbook Pro to shoot about 130′. Processing is done with Modul8 and Madmapper. The snow animation that I run was made in Apple’s Motion 5, and the wintery still-shot in the background is a perfect snowy day in front of my house. No real ‘mapping’ per se, but Madmapper makes it really easy to fire up a preset and fine tune the exact size of the scene.
A little projection pr0n from a recent gig. It was for Intergalactic Nemesis, a ‘live’ comic book, where the action gets played out by performers in front of the screen. In this case, a Da-lite 28′ RP surface, with two Digital Projection Lightning 35hd’s. I also used a Barco ImagePro for processing and a shameless plug for Coolux test patterns. Happy Friday!
And the jokes about the solar system wanting the Sun back will start rolling in any minute now….
I still want to see a photo, but 72k is pretty damn bright. At some point, there’s got to be a rule about one source being that bright…what if it failed? I know that two 35k Roadies doesn’t technically equal 70k brightness, but I think I’d want an online backup just for peace-of-mind. Still, you have to hand it to Christie Digital for advancing our little corner of technology. What’s the next threshold?
Christie®, a global leader in cinema projection, fascinated leading exhibitors from Asia Pacific with a demonstration of its prototype laser projector in Beijing today. Short movie clips of 3D content projected on a 20-meter wide by 12-meter high screen were screened at typical 3D brightness levels of 3-4 ft-L and then using the laser projector at 14 ft-L at the theater of Wanda Shi Jin Shan Cinema, leaving the audiences in awe.
“Today’s laser projection demo was fabulous! I’m impressed with the ultra brightness and life-like colors delivered onto the screen,” said Ning Ye, General Manager of Wanda Group.
“Christie is committed to creating new technology and maintaining our products at a high quality. We are continuously developing solutions to help exhibitors to project compelling, immersive images to their screens. Today we are pleased to demonstrate our first prototype laser projector to the exhibitors,” said Lin Yu, vice president, Christie Asia Pacific.
Presenting at the laser demo event, Dr. Don Shaw, senior director, Product Management, Christie Entertainment Solutions, noted, “Audiences deserve to see the brightest 3D with 14 ft-L on cinema screens. Our demonstration today showed just how truly spectacular a movie maker’s vision can be realized when shown at the highest light levels, making the shared experience more immersive, and, ultimately, driving more cinema ticket sales.”
Dr. Shaw continued, “Some attendees leave 3D movies complaining of headaches, fatigue, and sore eyes. Just like reading a book in low light levels, low brightness on the movie screen is one of the reasons for these complaints. Delivering more lumens to the screen will help address these effects, as will the advent of ‘eye-easy’ high frame rate (HFR) movies.”
Commenting on the laser projector, Dr. Shaw said, “There’s half-a-dozen different ‘forks in the road’ decisions that have to be made when designing a laser-projection system and most manufacturers will take different paths.” He noted that Christie customers have come to expect the best in technology and service from the world’s largest supplier of DLP Cinema® projectors, operating for more than 80 years.
Dr. Shaw also shared with the exhibitors information on Christie IMB, an integrated media block solution that seamlessly converts and delivers feature-film and alternative content within a secure environment to all of Christie’s 2K and 4K, DCI-compliant Solaria® Series 2 projectors. Following his presentation, the audiences were treated to a demo of Christie IMB showcasing MPEG2 contents.
Christie hosted its first laser projector demo for cinema industry luminaries such as Douglas Trumbull, recent Gordon E. Sawyer Academy Award winner, at its High Frame Rate Summit in April 2012.
At IBC 2012 in Amsterdam in September, Christie gained recognition for the world’s first laser projection of Hugo 3D, a feature-length 3D movie projected at 2D brightness levels. Hugo 3D is the first CPG (Cameron Pace Group) certified movie.
Christie’s Commitment to HFR
The two main goals of Christie’s HFR activities are to help the industry develop the best HFR content and the best delivery system for HFR content. The first goal involves assisting leading-edge filmmakers and post-production companies in perfecting HFR movie creation, so the industry has the most engaging, entertaining content possible. The second goal is to assist exhibitors in showing these 3D HFR movies in all their glory. To these ends, Christie is helping create the standards for 3D HFR movies through formal and informal technology-development alliances with major producers and directors, post-production facilities, studios and technology partners. On the exhibitor’s front, Christie provides one-stop shopping for all the hardware, software and services that enable exhibitors to deliver a filmmaker’s vision in stunning 3D HFR quality
I picked a heck of a week to go on vacation. infoComm2012 is in full swing at the Las Vegas Convention Center and although I had all kinds of chances to go and meet up with some great folks, they had to play second to my family! BUT- all of my extended family are showing off some great stuff at the show. What are the issues? Which one to buy of course….and there’s the fact that if you attend the show, how does one keep one’s head from exploding whilst on the show floor? Let’s see…..Las Vegas (check), high end electronics (check), massive, mind-blowing projection offerings (check), ummmmm. Can’t really come up with any negatives. Read on: (more…)
Digital Projection Inc. has updated the LIGHTNING Series, their brightest, most capable projectors, to include warp & blend, SDI input, and HFR 3D as standard features. I own two of the 35HD series and I can tell you- they rock!. They’re circa 2006 though so I wonder if they can update my oldies-but-goodies…..
Atlanta, GA (May 18,2012) – Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, announces a major electronics update to their entire LIGHTNING series. The newly-named LIGHTNING Pro Series 3D platform enlists DPI’s latest NextGen electronics platform, delivering advanced image Warp and Blend capabilities, 3G-SDI input compatibility, high frame rate 3D functionality as a standard feature in all LIGHTNING displays, and a host of additional professional features to suit the world’s most demanding large-scale imaging applications. Delivering between 20,000 and 30,000 lumens, LIGHTNING Pro Series 3D projectors (more…)
For the first time in the Indianapolis Opera’s history, projectionmapping is playing center stage. The past few seasons have seen projection playing a larger role in the repertoire, but this is the first time mapping has had a role. Gounod’s Faust, directed and designed by Joachim Schamberger, tells the tale of an aging scholar who trades his time in hell for earthly pleasures he’s missed out on. Schamberger, who’s previous projection designs were Tosca and Das Rheingold, has stepped up the projection role to a much higher level. I can’t tell you much about the actual opera itself, but I can tell you about the technical end:
For Faust, Joachim had 7 panels built (McGuire Scenic), various widths at 24′ high, that move on traveller tracks thus dividing the space into multiple planes. The panels are skinned in bright white and make absolutely pristine projection surfaces. In order to get the right perspective for sizing, he first used a camera view from the projection booth in Vectorworks to create the various scenes with line drawings. This gave a pretty good approximation of the angles, height, and space to be projected on. He then set about compiling the projection playback materiel using Photoshop and Final Cut. The resulting footage was then rendered in Final Cut at HDV 1920×1080 MPEG2. This presented a slight codec/bandwidth problem because the plan was to use VDMX and Syphon through Madmapper in order to size the scenes accurately. HDV and Mpeg2 are not the most friendly codec for playback through any software based system and the Radeon 2600HD cards in the trusty OctoMacPro were a bit under the task. Instead, I re-rendered the content, pared down the length of most of the clips, and packaged them all in PJPEG Quicktime movies. We ultimately decided on using Modul8 because of it’s extreme ease of clip organization, playback capabilities, and tight integration with Madmapper. All the content is played back via a FW800 1TB RAID 0. Viola- nary a burp in speed or smoothness. Because of the overall linearity of the set pieces, Madmapper proved to be invaluable. Joachim came up with a few templates of primitives that could be applied to many scenes and using presets, we were able to match the pieces exactly as seen in perspective. I used a Macbook Pro 17″ (quad i7, 16gb RAM), fed into an ImagePro, which fed a DVI DA and finally two DPI Lightning 35hd’s. The resultant image quality and brightness was astounding from 135′. Lensing provided by the good folks at Nationwide (thanks James!).
I haven’t posted much in the last week because, quite frankly, I’ve been working my ass off. We were a bit shorthanded at the theatre and it ended up being a loooooong week. But I’ve slept since then and the gig this week is Pirates of the Caribbean- Curse of the Black Pearl…Live! Basically, we screen the film and the Indianapolis Symphony Orchestra plays the soundtrack. Ought to be easy right? Read on….. (more…)
Digital Projection has revealed an addition to the TITAN projector line with the new, 12,000 lumen TITAN 800-3D series. Incredibly compact for its lumen performance, the TITAN 800 platform incorporates DPI’s advanced image Warp and Blend capabilities, available 3D capability and a host of professional features to suit almost any commercial or staging application imaginable. The TITAN 800 platform is available in 1080p, WUXGA and SX+ native resolutions, and joins DPI’s already robust commercial AV product lineup, which now incorporates over 30, 3D capable precision displays. The TITAN 800 will commence shipping in Q2, 2012 and carries an MSRP range between $59,995 and $79,995, depending on the resolution.
Delivering 12,000 lumens of dazzling brightness, the new TITAN 800 projectors reveal powerful 3-chip DLP® performance available in an incredibly compact chassis. Utilizing DPI’s new, advanced electronics, (more…)
OK….not the whole thing…but it’s pretty damn bright in there. The pre-game and intermission display at Rogers Arena, home of the Vancouver Canucks, got a make-over this year that includes four DPI Lightning 45sx+ projectors and Green Hippo media servers. I’ve always thought that arena’s should trick out their team intro’s and halftimes. I mean, the mascot shooting baskets and “shoot-the-puck” contests just don’t cut it any more.
There are also lightweight scrims that come down from the rafters in the for corners of the ice so it really opens the dimensionality of the show. The displays are split into segments by a Datapath X4 video wall processor, creating a 200-foot by 80-foot image on the ice. The DPI Lightning 45 sx+ packs a walloping 30,000 lumen punch with a contrast ratio of 1800:1. It also has an Intelligent Lens Mount (ILM) system that allows up to 10 different presets for lens settings (zoom, focus, shift) that can be recalled automatically. I own 2 of the 35hd’s and I can tell you, these are not your typical PJ’s- they’re big and super bright and it looks like they’ve accomplished their mission for the Canucks.
I’ve been a bit slammed as of late. I haven’t really had time to even surf for content…but I do have a couple of great projects coming up that I’ll be sure to document thoroughly. One is for the Indianapolis Opera called ‘Opera Goes to the Movies’. We’re projecting a 32′ wide image with movie content as well as IMAG. I’ll be using two Christie HD 12k’s with .73:1 lenses. Ought to be a blast lining them up……
The other is Pirates of the Caribbean: Live in Concert. The Indianapolis Symphony Orchestra plays the soundtrack and we screen the movie with sound effects and dialogue intact. I’ll be using two DPI Digital Lightning 35hd’s with 3-4.3:1 lenses from about 120′ front projection. I’ve been stressing over this one a bit…but I’m pretty sure it’ll end up being a walk in the park.
In the meantime: Bart Kresa from BartKresa Design posted a great link to an article over on our Facebook page. He’s doing a workshop and speaking at Event Solutions Idea Factory in Las Vegas, Caesars Palace, February 26 – 29. If you’re anywhere near Vegas around then, this is one to see. Bart was responsible for the Christie booth at InfoCOMM last season and it was unbelievable! See for yourself….
I recently had the pleasure of working a show at our theatre called “Street Drum Corps“. For anyone who hasn’t seen them, it’s a quartet of guys that bang on everything from trash cans to printers to microwaves and drums. They also use grinders and powertools. It’s quite a trip. From Cloweshall.org: “Since their formation four years ago, Street Drum Corps have constantly refined their sound on the road, blowing away audiences at nearly every major U.S. festival with their combination of thunderous percussion and visual stimuli. SDC’s shows are a primordial, stomping blast of energy, theatricality and passion. There’s a reason why members of No Doubt, Bad Religion, and Revolution tourmates Atreyu all want to play with them – why Conan O’Brien invited them to perform on his show – and why The Used’s Bert McCracken has practically adopted them as his pet band. SDC are more concerned with rhythm than genre. In their performances, one hears tribal, rock, punk, dance and industrial, all somehow blending together in a chaotic, beautiful mess.” (more…)
At CES yesterday the Christie Digital Solaria CP2230 3D was the star. ESPN 3D along with RealD and Christie screened the BCS National Championship game between the LSU Tigers and the Alabama Crimson Tide at the Las Vegas Hilton theater using two of the powerful projectors for an incredible 3D sports experience. Christie’s collaboration with ESPN 3D highlights the enormous possibilities of digital cinema, which is allowing theaters to increase their revenue streams by beaming in alternative content such as sports, concerts and cultural events, in addition to showing major studio releases.
I’m not even a sports fan and I’d pay to see something like this….actually golf has a big appeal for this type of technology but I digress… (more…)
Personally I can’t stand christmas lights. They’re a pain to put up…it’s a constant popularity contest…homeowners regularly exceed the limits of their service…any number of reasons- but I truly don’t care for lighting around the holidays. And this is coming from a former lighting guy! Back when I worked in rental, I used to think what I’d do is just line the roof of my house (more…)
This one is making it’s rounds and for good reason. Australian animator/VJ/Musician Zeal (aka Robert Jarvis) combined animation, projectionmapping, VDMX, and some really great composition for this video for James Annesley’s “Suburbia” from the album “Virtual Proximity”. Besides being spot-on musically complete with fire-spitting crows from hell, apocalyptic rays hitting houses, and dinosaurs- he used VDMX and Madmapper to automate the process! Quite ingenious. Make sure to check out his site at Zealousy.com for lot’s of goodies including MIDI, Ableton plugins, etc.
The week after Thanksgiving means one thing for me. Nutcracker. The theatre I work at does a huge one. For as big and crazy of a production as it is, I like it- if only for the classic feel of it. We use a huge set that has been amalgamated from various productions over the years, some costumes dating back 40 years or more. We use every line-set we have and then some….we actually hang to the back catwalk! For my part, I get to do a little projection naturally and I figured I’d explain the rig: (more…)
Al Laith Event Services built a 2,000-capacity open air theatre for the 2010 Doha Tribeca Film Festival (DTFF) on the esplanade at Katara in Doha. The temporary structure featured 14 steel arches measuring up to 85 meters in width and 26 meters in height. It was designed by Jeremy Thom, the production designer for the DTFF event, and weighed in at about 100 metric tons.
Along with seating, the structure housed a 23-meter-wide screen for a world premiere, the stage for the 88-piece Qatar Philharmonic Orchestra and several technical areas for sound, lighting and projection and backstage facilities including dressing and green rooms. Jo Marshall managed the project for Dubai-based Al Laith.
The orchestra provided a live performance of a soundtrack composed by Nitin Sawhney to the 1929 classic silent movie, A Throw of Dice. The event also featured (more…)
Hdi3d is set to start shipping their first projectors in 2012. Their far out looks kind of give it away, but they shoot an image as great as they look. Make no mistake, at prices between $55,000-$85,000 these are very high end home theater projectors. HDI 3D projectors feature propriety and patented laser-driven 2D/3D Switchable Dynamic Video Projection Technology deriving stereoscopic 2K image quality from dual 2K RGB laser-illuminated Liquid Crystal on Silicon (LCOS) micro display imagers. At 1080 frames per second, 360 color frames per second per eye, HDI 3D projectors offer (more…)
A while back we posted a great video on AV Concepts record-breaking 3d holographic projection. Here’s some more info on the Musion Eyeliner rig that they used to accomplish this feat of wizardry. The idea of teleconferencing with a Musion rig is great!
They were mentioned in an article in USA Today here.
Musion Eyeliner is a unique high-definition video holographic projection system allowing spectacular freeform 3D hologram effects to be projected within a live stage setting using Peppers Ghost illusion. Eyeliner produces high resolution images that make them unmistakably real, which is what happened when Gorillaz & Madonna performed the opening number at the European MTV Awards. Musion Eyeliner is a specially developed foil that reflects images from a high-definition video projector, making it possible to show virtual images of variable sizes and distinct clarity.
I’ve been a little slack in posting recently mainly because I’ve been sick as a dog for the past week and also because I’ve been working on a camera install as well as taken delivery of two DPI DIgital Lightning 35hd’s. The camera install is going well. I’ve had to reconfigure an entire rack, run all new CAT5E cabling, and mount the units. Here’s some shots of the old system. It’s based on the Sony EVI-D70 with an RMBR300 controller. All cameras are run in Y/C mode into an LVS-800 switcher. The new system is based on the Vaddio Clearview HD19. There’s 3 cameras and they’re all controlled through the Productionview HD switcher. I’ll be running them in 720p mode to start and then I might ramp that up to 1080 in the future. This is basically because I want to find out how much storage I’m going to be eating up on a regular basis first! I plan on integrating at least one of the D70 units into the new config, but I have to talk to the factory first and find out some control things.
UPDATE: Here’s the ‘after’ shot. Much more compact. Much more sleek. Much more better. There was a slight problem with getting the YPbPr program feed dumbed down to Y/C for my legacy decks however. I had to run the signal back thru a VP725 and then an LVS-800 to scale the image. This obviously introduced a fair amount of latency and the audio was whacked. Enter the Rane AVA-25d. I routed the audio thru a pair of these and voila! Problem solved. I think I’m just going to pony up for the composite cable from Vaddio however as I think the quality will be much better.
As for the projectors, they arrived in perfect condition, one with a spare lamp and a 1.25-1.45 lens and the other with nothing. One is a 2005 and one is 2006 manufacture date. They are 16,000 Lumens at 2048×1080! They both have about 2000 hours on them but they both fired up on the first try. Both are exhibiting some smearing on the touchscreens and I plan on talking to the factory about this…maybe age….probably replaceable…but you can always access the menu/brain via a network and a computer. I have not had a chance to put them on a screen yet- I need to get a pair of buck boosters to get our house voltage up to at least 230v. One had some flickering, but it’s most likely the lamp (at 600 hours) and the fact that the voltage was only about 210v. They seem very, very bright however. I’ll need to beef up the platform where they will be housed first so as soon as they’re installed I’ll post some more shots.
Integrated Visions recently did a huge videomapping on the side of a Macy’s department store in Loveland Colorado. From their press release-
LOVELAND- CO November 7 Videomapping, an advanced 3-dimensional projection technique that produces life-like visuals that interact with the contours of buildings, had its Denver-area premiere at Promenade Shops at Centerra, November 4th and 5th.
Two site-specfic shows, one based on the evolution of the Colorado environment, and an Escher-style impossible rooms production, were projected onto the 60-foot-tall x 120-foot-wide exterior of Macys department store. Using state-of-the-art high-lumen projectors and (more…)
From WeCreateMagic for the Odense Culture Night- this mapping featuring some H.C. Anderson. They used 2 x HD45 Pj’s and projected onto the building facade of the Odense Castle. (more…)
We love The Visual Drugstore here at Projectionfreak and came across this great vid featuring their work on the Mercedes Building in Stuttgart. In celebration of the remarkable 125th anniversary of Mercedes-Benz, the building of the former firm was taped from the center with mapping. The show was unusual (more…)