There’s some great videos coming out of the Mapping Festival 2013 held May 2-12 in Geneva. I’ll post some more this week- We’ve seen the work of Bordos.Artworks in the past, but here’s a reminder- I wish I had a decent pair of 3D goggles…..
By all accounts it looks like Form and Substance was a big success. If you couldn’t make it to the show, here’s a little teaser footage with a few recognizable pieces….
Hoping to get some details from Bryan in the near future…
Big reminder- Form and Substance: Projection Mapping in Contemporary Art, the first group exhibition in the United States dedicated exclusively to artists working with projection mapping as a medium- is this Friday. If you’re in the NYC area and you’re a fan, get to this exhibition!
In addition to the already outstanding line-up (including Davy and Kristin McGuire, John Ensor Parker, Joanie Lemercier), they’ve added two new artists to the roster: Joel Fitzpatrick is a fine artist, fashion designer, interior designer, lighting designer, and production designer. He will be presenting three works, including a collaboration with New York based painter and graffiti artist Adam Dare.
The exhibition opens Friday, May 10 at 6 PM at the Gowanus Ballroom at 55 9th Street in Gowanus, Brooklyn. The opening party is from 6 PM to 10 PM, and entry is free.
There will be a $10 cover charge starting at 10 PM, with Percussion Lab residents Nooka Jones and Archie Pelago playing till 4 AM. Proceeds from the door go to benefit the Gowanus Ballroom, which is still recovering from damage incurred during Hurricane Sandy.
The full list of artists is below. We are also still accepting tax-deductibe donations to help defray costs, including travel and accommodations for our foreign artists, promotional expenses, and production costs for several works. All donations are processed by Mister Artsee, a 501 (c) (3) arts-industry non-profit. Email for details about donating.
I know I know….Coachella’s in full swing and UMF is so- well, done. But UMF was a huge hit this year (surprise) and along with being a huge hit, you have to have huge structures- like this one:
Design by Stephen Lieberman – SJ Lighting -sjlighting.net Production by AG Lights & Sound – ag.tc Video by ASK Media Productions – Adam Kaplan – askmediaproductions.com
Mapping Festival 2013 is about to get under way in Geneva so get tickets NOW. There’s something for everybody- installations, VJing, and workshops on mapping and stage design from the likes of Boris Edelstein, Joanie LeMercier, and Phillipe Chaurand.
“The Mapping Festival is a multidisciplinary festival dedicated to audiovisual arts and digital cultures. As the sole broadcasting space of this magnitude in Switzerland, the festival is now also recognised internationally, and this with the richness of programming. Mapping Festival offers every year audiovisual performances, installations, clubbing parties, live performances, architectural mapping, as well as workshops and conferences.
Thanks to this unique diversity aspect, the festival is recognised throughout the world as an major event, a real experimental meeting space, for creation and exchange with its innovative thinking in the field of audiovisual arts.
Now in its eighth edition, the Mapping Festival has steadily grown and has become one of the leading events of its kind in Europe.”
The lighting design arm of NYX Visual, NYX Atelier recently did a private showing of “Tetraedre”, a projectionmapped sculpture for Vincent Coutelin’s private collection. The team painstakingly created the entire structure out of scrap materials and glue. They used a Panasonic 6k and a combo of Madmapper and Modul8 to drive the visuals. Nice work!
Exciting news from Brian and Michelle over at Integrated Visions- they’re opening a group exhibition entitled “Form and Substance” at the Gowanus Ballroom on the weekend of May 10-12. It’ll feature works by Joanie LeMercier, Claudio Sinatti, Domingo Zapata, and more. Here’s an excerpt fro the release note:
“Integrated Visions Productions is excited to announce an additional creative path for 2013. In the wake of the success of the ‘Codex Dynamic’ group exhibition at the 2012 DUMBO Arts Festival (see PF article), which received the festival’s Grand Prize and Best in Show awards, we’re focusing on more intimate artwork.
We’ve developed a series of projection mapped paintings, combining fine art painting techniques with cutting-edge, projection-mapped animations to create a hybrid medium that we see as the first new terrain being explored by working artists in the 21st Century – akin to Impressionism and similar upstart movements at the turn of the last century.
We quickly realized that there exists a global community of artists and technologists working at the intersection of the traditional media of painting and sculpture and projection mapping, and we began to contact our favorite practitioners and curate a group exhibition.
Form and Substance, North America’s first group exhibition dedicated to projection mapping as a fine arts medium, will take place the weekend of May 10-12, at the Gowanus Ballroom in Brooklyn, New York. The Frieze Art Fair, the enfant terrible of the global festival circuit, takes place in New York over the same weekend, making this a unique opportunity to make a global impression.”
If you’re in NYC or anywhere near on that weekend- this is one NOT TO MISS.
The incredibly inventive folks over at White Kanga recently did this huge industrial for CTL Logistics. Utilizing eight 22k projectors and Touchdesigner, they transported the audience on an intergalactic themed presentation, and then fed live video of the entertainment into the animated video frames. These guys do some amazing work- make sure to check out their piece that appeared on PF previously… MPS v1.0
TED talks are all the rage- and this one made my Monday! John Ensor Parker is a projection artist who recently did CODEX Dynamic at the DUMBO Artsfest. His work is pretty fascinating and this video gives just a little glimpse into the process behind making a large-scale work like CODEX happen. Yeah, yeah…we all know it takes servers and projectors and lots of cable- but John emphasizes the importance of knowing where our medium came from….we owe a lot to the past. Check out the article previously on PF HERE. Many thanks John!
Looks like a great opportunity if you’re in the NYC area Feb. 23-24. Harvestworks is a non-profit organization dedicated to technology, art, engineering, and music. Founded in 1977, their mission is to support the creation and presentation of art works achieved through the use of new and evolving technologies.
Projectionmapping 1.0 for Beginners
presented in collaboration with Chika, this 2 day workshop serves as a comprehensive introduction to methods for creating projection mapping. The tools used in the workshop are MadMapper and Modul8. The students will get fully-functional 30-day trial versions of the software to create a collaborative projection mapping installation for the end of class. This workshop is intended for the students who want to learn how to develop projection mapping projects for future events, art installations, and performances.
Sat/Sun, February 23 + 24, 1-5pm
Cost: $230 (regular), $200 (student/member) CHeck their page HERE for more info!
Tigrelab just did this great videomapping for TV3 featuring Sacude. Projecionmapping and dance already go together well, even more so when you do it sideways 30 ft. up a wall! In addition to some fantastic camera work, a Dataton Watchout was used along with a single Barco 20k.
Roberto Fazio joined forces with Joanie LeMercier in a projectionmapping workshop sponsored by Teleknoika. Looks like it happened in November, but through the magic of Vimeo and Projectionfreak, you too can see the action. The turnout really underscores the popularity and interest that this medium has enjoyed the past year or so.
Brett Jones, over at Projection Mapping Central sent me a really neat project he worked on as an intern at Redmond. Microsoft’s ‘IllumiRoom’ is a proof-of-concept system for augmenting the area around a display with projected visualizations. Gamers- take note! Yikes…what’s going to happen when I use this with 3D glasses????
When I was a kid, Saturdays were sometimes spent going to work with my Dad. He was an architect and since it was a weekend, we had the run of the place. I invariably would gravitate to the drafting room which, at his place, was huge! Lots of workstations, cabinets with every kind of colored pen/pencil/tip combo, electric erasers, all manner of paper, model making supplies, etc. Basically, everything that a small curious boy could get in trouble with! The thing that fascinated me the most though, were the scale models of all the buildings they were working on. Super intricate detail, all the way down to the little people cutouts and hand railings, as well as street signs and various decorative flora. So I was thrilled to come across the work of Davy and Kristin McGuire, an artistic duo out of the UK that does small-scale paper modeling combined with projection techniques. They form The Ice Book and direct, design, and perform their original video/model mashups for everything from installations to live theater shows, dance performances, interactive video performances and everything in between.
Their paper models are extremely detailed and exquisitely cut. Adding the element of projection just completely brings them to life. They use After Effects and Final Cut to render the final video, and (no surprise here) Madmapper to map the sets. So often on this site I focus on large-scale scale work, only to realize the really detailed stuff is every bit as intriguing!
A couple of their pieces stand out- ‘Psycho- Homage to Hitchcock’ as well as ‘The Hunter’.
Here’s some fascinating examples via their Vimeo page:
The idea of an interactive pinboard at home is just so strikingly obvious….I think I’m going to start assembly immediately! Now to make it so there can be date-relevant info displayed along with fun remembrances and package it up in a mappable environment…hmmm……
I came across a really great looking mapping project from Dub Video Connection recently. They are a multidisciplinary studio, based in Lisbon, Portugal, dedicated to multimedia arts and interactivities, since 1997. They are committed to develop ideas and projects in Film Direction and Production, Graphic and Motion Design, Visual Identities for artists and festivals, Video Mapping and 3D Visuals, Interactve Systems, Technical Implementation and Visuals Creation and Performance. Dub Video Connection uses its skills, allied with the most recent technology, to blend visual narratives and visual identities and bring them to the most demanding audiences.
DVC explains about the piece, Panoramic Room 2, “In this project we used two Panasonic DS100 projectors, 10k therefore, as you can see on the video.
For the playback we used Dataton Watchout and connected to another computer for the live drawing there was a member of the team drawing with total freedom using Alchemy over the whole projection. We can say that the biggest input on “hardware” was in fact the black tape on the wall, which gave to the image that amazing contrast that we can find in the medieval stained glass. Every line and surface was mapped and operated during the show, an audiovisual experience, with sound design and music to involve the audience in that specific environment (rain, birds, lightnings, etc). This live performance wasn’t a finished product, and in this very next weekend we’ll have a another one in the same place with the same environment, but with inputs, new visuals, contents and some narrative. This project was definitely implicated in the specific architecture of that space (House of Music, by dutch architect Rem Koolhaas). This project was created as an hostage of that space, as an experimental and paisagistic approach inviting everyone to sit down and enjoy the imaginary and surrealistic transfiguration of the room.”
Love the taped outlines!
Congratulations to Mark Coniglio, creator of Isadora, for a WTA win! It’s hard to say how Izzy has affected me in my work- it’s the first app I used for video manipulation, and the one that kept me hooked- but it’s so much more than that. The Isadora user community is pretty unique. If you haven’t had a chance, check out Troikatronix and give it a whirl. Chances are it’ll change the way you work.
NEW YORK, October 23, 2012: The World Technology Network, in association with CNN, TIME, Technology Review, and Science, awarded composer and media artist Mark Coniglio the 2012 World Technology Award in the category of the Arts at a ceremony at the Time & Life Building in New York City.
The award recognizes “innovative work of the greatest likely long-term significance.” Coniglio’s award in the arts category recognized his contribution as a composer, media artist and co-founder of the performance group Troika Ranch; as the creator of the interactive media-software Isadora; and for his contribution as a teacher who has shared his aesthetic vision and technical know-how through innumerable workshops across the globe.
Of his award, Coniglio said “I’m thrilled to receive this wonderful honor. I’ve spent my life exploring the intersection of art and media, trying to find ways to use computer technology to more deeply express the human experience. To have that journey acknowledged by the WTN is truly gratifying.” The new WTN Fellows and Corporate Members were officially inducted into the WTN membership during a gala ceremony at the Time & Life Building in New York City, where the winners were announced. The Awards gala occurred at the close of the World Technology Summit, a two-day “thought leadership” conference held in association with the WTN’s partner organizations.
The World Technology Awards have been presented by the WTN since 2000, as a way to honor those in 20 different categories of science and technology and related fields. The annual World Technology Awards nomination process is an intensive global one, lasting many months. The Award nominee pool this year of over 600 nominees came from three sources: names put forward by the WTN Fellows (winners and finalists from previous annual Award cycles in the individual Award categories); research by the WTN staff; and, to a lesser extent, from nominations from individuals and companies themselves.
The WTN is a curated membership community comprised of the world’s most innovative individuals and organizations in science, technology, and related fields. The WTN and its members – those creating the 21st century — are focused on exploring what is imminent, possible, and important in and around emerging technologies.
Yikes! When do you ever get a chance to see the likes of Joanie Lemercier, Kyle McDonald, and Joel Gethin Lewis in the same room demonstrating real-time video artwork? At the ScreenLab Residency that’s where! Through the ScreenLab 0×02 residency, artists Kyle McDonald, Joanie Lemercier and Joel Gethin Lewis worked together with students and researchers at MediaCityUK and an advanced technology center on the main campus (Dig this place: The Centre for Visual Environments). It features the Octave, a truly astounding setup which is detailed HERE. Together they developed interactive artworks that provided a unique experience for each visitor by creating artificial worlds using sound and visuals that react to their movement.
The results of the residency were unveiled at a launch event on Wednesday 5 December which formed part of the University’s As Yet Impossible series of lectures, bringing together future thinkers to challenge audiences and give them a glimpse of how science and the arts can combine to shape the world. The really cool thing is that most of the work is openly available on Github- Here’s Kyle’s, Here’s Elliot Woods’ (curator and open source contributor to vvvv). The following is the Livestream broadcast (jump to :41-ish for the true start):
Just got a note from Wilderbe, a dance troupe that uses projectionmapping techniques to enhance their performance. Looks like they are running an IndieGoGo campaign to raise funds for a projector purchase. Let’s see….projection, dance, performing arts+technology….how could we resist? Have a look at their showreel and campaign vid below and, if you’re so inclined, head over to there IndieGoGo page to throw’em a buck or two. As we all know, this business isn’t necessarily the cheapest and creation takes effort- financially and emotionally. Director Nova Han would be most appreciative.
“Wilderbe has already performed at 2 world class festivals as main stage acts, performed at a private event for Bob Pitman CEO of Clear Channel, as well as shared the stage with Alicia Keys and Katy Perry. Crowds and reviewers have expressed how immersed they became while watching Wilderbe’s theatrical performance synergize with technology. I am beyond impressed by their performances and completely agree that the show “changes people’s perceptions of reality”, “is surreal”, “avant-garde”, and “the future of entertainment.” Its the perfect media convergence that evokes a one of a kind visual-sensory experience. We are trying to fundraise to get two projectors and a screen so that our team can master this fusion between different mediums of art.”
CHICAGO—(Nov. 14, 2012)— Since launching in 2010, the principals of design-focused production studio Leviathan have collaborated with many leading agencies, brands and filmmakers to render scores of sensational projects across all markets and industries, earning award recognition along the way from the Association of Independent Music, Communication Arts Magazine, the AICP, The One Club, and the Themed Entertainment Association. Several of those projects have involved Waveplant, the personal brand of composer and sound designer Joel Corelitz. Today, along with Corelitz, Leviathan’s principals are very proud to announce a new creative alliance between their two companies.
“Our alliance is born from the idea that creating audio and visuals should be part of the same process, not something we seek to unite afterwards,” explained Corelitz, who has earned rave reviews internationally for his original scores and sound designs for high-profile videogame, cinema and commercial projects. “Together, we want to focus even more on handling projects that cannot be done any other way.”
Among the sensational efforts that united Leviathan and Waveplant in the past are major projects for HP, Dodge Dart and Kelley Blue Book, to name but a few. In particular, the two HP projects produced for Designkitchen (ed. link here on PF) promoting HP’s TouchSmart computers may represent the perfect application of Leviathan’s and Waveplant’s talents.
“For those projects, our team at Leviathan started with multiple layers of surface-mapped real-time animation, paired with a variety of small and large environments and custom-built sculptures,” Hutson said. “From Waveplant, the contributions included a constantly evolving original music score, split into various tracks and instruments with controllable filters, where the audience was allowed to control it all via touch interfaces on HP TouchSmart computers. We were all involved in these projects from the earliest discussions, and we feel that they represent the type of phenomenal audiovisual approaches that result in projects people get super-excited about. By virtue of this new alliance with Waveplant, we hope to increase our involvement in such forward-looking and innovative experiential projects.”
Both HP “Play Big” projects were finalists in the 2012 One Club Entertainment Awards, as well as being shortlisted in the 2012 AICP Show’s Next Awards.
For further information on Waveplant, please visit www.waveplantstudios.com.
Madmapper 1.3 was released, but hold the phone- 1.4 Beta is here! You already heard (or have used) the crazy-cool MadLight feature of 1.3, the one that lets you easily map LEDs and lights through Artnet and an easy-to-use grid of your channels, but this beta release introduces some highly requested features from the MM community, such as the updating of presets and complete integration of Quartz Composer.
You can get a video highlighting the MadLight feature and the 1.4 Beta from your Madmapper /yourspace area. Go now! What are you waiting for?
What is in MadMapper 1.4 BETA:
Added a Lock/Unlock button to the presets interface, allowing presets to be updated by unlocking them
Complete integration of Quartz Composer
The inputs can all be modified
Input values are saved in the presets
Rendering using a Display Link (high priority thread) allowing for a highly responsive interface and consistent framerates
The Tab and Shift+Tab allows for browsing through the Surfaces, or the Handles of a selected Surface
Copy/paste of surfaces in between instances of MadMapper or Presets. (CMD+C / CMD+V)
16bit DMX fixture mode integrated into the MADLight
Zoom to fit current surface selection
Madmapper, Modul8, Ableton Live, and a weird snakey-looking sculpture make for a fascinating mapping from French artists NYX Visual Label. I love that most of their projects include some kind of really interesting sculpture….especially this one carved out of what appears to be some kind of foam. Check out another post on NYX HERE.
It’s always great to come across stuff that takes projectionmapping to another level- especially when it’s so simple, but powerful. As is the case with this piece from a dandypunk. He used an NEC NP500 for projecting, and the entire thing was done in Final Cut Pro and dragon Stop motion, no mapping software at all. He says he just photographed the set, imported to FCP and just created the animations around it using key frames and stop motion from hand drawn illustrations. It reminded me a lot of a Pilobolus piece I saw a while back….but it’s another fantastic example of not having to use expensive techniques and gear to achieve a great result.
Direction, illustration*, animation* and performance of all characters* by a dandypunk
*Sacred Geometry by Grahame Gardner westerngeomancy.org
*Tentacle animation by RUBBISHBELT.COM
*Falling silhouetted man performed by Roger Fojas
Eternal thanks to facebook.com/dollskills for many many things..
Music by Edit -Ants
Dane Luttik put out a really cool mini-documentary of sorts about projectionmapping, with quips from the likes of Jean-Michel Verbeeck, Joanie LeMercier, and Ilan Katin. Dig it!
Well I finally had a chance to see Amon Tobin’s iconic ISAM 2.0 show in Chicago at the Congress Theatre last weekend. I had to restrain myself from just jumping in at FOH and bugging anybody about the setup, but there were two pairs of what looked like Barco FLM-HD20′s and Peter Sistrom’s control bridge. Behind all that was the excited crew from Leviathan. The visuals from V Squared Labs and Leviathan didn’t disappoint and the Congress’ killer Nexo line array thumped with authority. I wanted to hang around after the show to chat up the crew, but since I get to Chi-town once in a blue moon, I left to go hang with some close friends. Plus, Amon didn’t take the stage until fairly late- and I’m old. Kidding.
It’s hard to explain what I saw exactly. There’s a lot going on and one only needs to see some footage to really understand….which, by the way, you can do here:
This is a behind-the-scenes look at the process behind creating the visual work for “Wooden Toy”. Check this great article over at Spinner.com, too.
All in all, it was a fun time. I rarely get to actually attend a concert unless I’m working it, so it was a treat to see. Hats off to the whole crew that put their efforts into this one-of-a-kind event.