Yes. Yes, it did. Killed it quite completely. And this video is just as cool, if not cooler, than Pomplamoose’s previous one.
I love small-scale mapping projects. Pomplamoose put together this yummy little vid using one projector and a bunch of foam core- done to their mashup of Happy and Get Lucky. It would seem that after a little studying, they’re only using Final Cut and the rendering/mapping engine, which earns very high marks from me! The fact that objects move in-and-out of frame with striking precision is not so amazing (there’s lots of software to adjust this, and having exatly measured foam-core helps)- the creative thing here is the use of timing and ….well….boobs as eyeballs. Enjoy!
For you Touchdesigner followers, Touch In-N-Out Meetup is in Brooklyn this Friday Sept. 6th. Dev Harlan and Barry Threw will be on hand to discuss their work with Touchdesigner and give attendees a rare glimpse into the world of this great piece of software and it’s influence on the industry. Head over to TouchIn NYC to RSVP and get directions. If you’re anywhere near the Eastern Seaboard and want to attend an incredible session- this would be the one!
Rumor has it there will be a live stream, so stay tuned- I’ll post a link if one becomes available.
This business is full of deadlines and we all hate them. For some of us it’s more Love/Hate (I personally love tight deadlines…makes you feel alive). The following video shows a rather hectic deadline that Montreal-based GraphicsEmotion dealt with around Coachella time. Next time you have a deadline, remember what it must be like for a bunch of people to have that same deadline, and what it took to get to the end! We’ll look at some more great stuff from Julien Abril and the team at GEM in the very near future……
From The Agency, comes this great looking project- shot at night in the forest of Fontainebleau. Romain tells me they first shot the band members in their photo studio. Then, during the night in the forest of Fontainebleau, they projected their portraits on the rocks and trees and then took about 600 pictures (like a stop-motion). Finally, they assembled the pictures and added a camera traveling (parallax) and transitions between pictures (morphing) with Apple’s Motion software. Love that they did it on the fly, with a car battery and an inverter!
- video projector Optoma 3000 lumens
- electrical converter
- power supply car battery
- midi keyboard
- camera Nikon D800
- Apple Motion
- Apple Final Cut
There’s some great videos coming out of the Mapping Festival 2013 held May 2-12 in Geneva. I’ll post some more this week- We’ve seen the work of Bordos.Artworks in the past, but here’s a reminder- I wish I had a decent pair of 3D goggles…..
By all accounts it looks like Form and Substance was a big success. If you couldn’t make it to the show, here’s a little teaser footage with a few recognizable pieces….
Hoping to get some details from Bryan in the near future…
Big reminder- Form and Substance: Projection Mapping in Contemporary Art, the first group exhibition in the United States dedicated exclusively to artists working with projection mapping as a medium- is this Friday. If you’re in the NYC area and you’re a fan, get to this exhibition!
In addition to the already outstanding line-up (including Davy and Kristin McGuire, John Ensor Parker, Joanie Lemercier), they’ve added two new artists to the roster: Joel Fitzpatrick is a fine artist, fashion designer, interior designer, lighting designer, and production designer. He will be presenting three works, including a collaboration with New York based painter and graffiti artist Adam Dare.
The exhibition opens Friday, May 10 at 6 PM at the Gowanus Ballroom at 55 9th Street in Gowanus, Brooklyn. The opening party is from 6 PM to 10 PM, and entry is free.
There will be a $10 cover charge starting at 10 PM, with Percussion Lab residents Nooka Jones and Archie Pelago playing till 4 AM. Proceeds from the door go to benefit the Gowanus Ballroom, which is still recovering from damage incurred during Hurricane Sandy.
The full list of artists is below. We are also still accepting tax-deductibe donations to help defray costs, including travel and accommodations for our foreign artists, promotional expenses, and production costs for several works. All donations are processed by Mister Artsee, a 501 (c) (3) arts-industry non-profit. Email for details about donating.
Collecting awards, that is. Chicago based visual studio Leviathan garnered the Platinum Remi Award for Visual/Special Effects this past weekend at the 46th WorldFest-Houston International Film Festival (www.worldfest.org) for their original short film “Lilith”. Then, at the FITC Toronto Design and Technology Festival last Monday, Leviathan’s executive creative director Jason White personally accepted the FITC Best Animation Award for the studio’s sensational “Wooden Toy” project for Ninja Tune recording artist Amon Tobin.
“We have an awful lot of people to thank for putting us in the position to earn this recognition from the judges of the world’s longest-running independent film festival, and from the FITC, which covers the future of everything innovative, technical and creative,” White began. “Across the spectrum of our phenomenal creative partners including V Squared Labs and Red Moon Theater among many others, unbelievably talented and passionate artists and craftspeople, to my fellow principals Chat Hutson and Matt Daly, we are counting a lot of blessings this week. Immense thanks to everyone who has played a part in our success to date, and with this recognition, we are even more inspired to create phenomenal visual experiences.”
Since launching in 2010, Leviathan’s collaborations with agencies, brands and leading filmmakers have rendered scores of sensational projects across all markets and industries and earned award recognition from the Association of Independent Music, Communication Arts Magazine, the AICP, The D Show, The One Club, and the Themed Entertainment Association.
Earlier in his day at FITC, Jason presented his original talk entitled “Hyperblender, the collision of art and technology” an hour-long presentation discussing vision, our past and future of creating transformative visual experiences. According to feedback from conference organizers and on Twitter, it was one of the most talked-about of the conference’s 70 sessions, which drew over 1,200 attendees from around the world over the past three days.
Congratulations Leviathan! Well deserved accolades!
I know I know….Coachella’s in full swing and UMF is so- well, done. But UMF was a huge hit this year (surprise) and along with being a huge hit, you have to have huge structures- like this one:
Design by Stephen Lieberman – SJ Lighting -sjlighting.net Production by AG Lights & Sound – ag.tc Video by ASK Media Productions – Adam Kaplan – askmediaproductions.com
Mapping Festival 2013 is about to get under way in Geneva so get tickets NOW. There’s something for everybody- installations, VJing, and workshops on mapping and stage design from the likes of Boris Edelstein, Joanie LeMercier, and Phillipe Chaurand.
“The Mapping Festival is a multidisciplinary festival dedicated to audiovisual arts and digital cultures. As the sole broadcasting space of this magnitude in Switzerland, the festival is now also recognised internationally, and this with the richness of programming. Mapping Festival offers every year audiovisual performances, installations, clubbing parties, live performances, architectural mapping, as well as workshops and conferences.
Thanks to this unique diversity aspect, the festival is recognised throughout the world as an major event, a real experimental meeting space, for creation and exchange with its innovative thinking in the field of audiovisual arts.
Now in its eighth edition, the Mapping Festival has steadily grown and has become one of the leading events of its kind in Europe.”
AntiVJ has once again conquered a major projection mapping on a very unique structure. Paleodictyon is shot onto the curved exterior of architect Shigeru Ban’s the Centre Pompidou Metz, France. “(The piece is) loosely inspired by the work and research of deep-sea expert Peter A. Rona, (and) abolishes notions of scale by contrasting micro-architecture with human construction. Fascinated by the marks left by unknown creatures called Paleodictyon Nodosum, he offers the hypothesis that these hexagonal structures are designed in order to cultivate bacteria. A modern day Captain Nemo, Peter A. Rona wanders relentlessly across the seabed looking to discover (more…)
As part of a wholesale technological overhaul in one of Europe’s most evocative museum spaces, projectiondesign has supplied 40 of its high-performance DLP® projectors to the Museo Nazionale del Cinema in Turin, Italy. The projectors were provided by and supported by Italian distribution partner, AGMULTIVISION and installed by Italian System Integrator OVRIT VIDEO. Image courtesy OVRIT Video
Housed inside the Mole Antonelliana, (more…)
I have a friend experimenting with low-rez video (of the tube variety) and I said I’d look into some ideas…little did I know it would lead me to Chris Shen’s fascinating work- Infra. A TV made from discarded remote controls. There’s so many great things about this piece that it’s hard to know where to start. Hacking, tinkering, re-purposing, and a smidge of nostalgia all rolled into one glorious low-rez display that has to be seen with infrared goggles. Love it! Personally, I use the Harmony 720 (actually three of them) and though I tried really hard- I could not find one in the photos. When I purchase a new monitor or TV, the remote is usually the first thing I toss- knowing full-well there are better alternatives out there. Kind of makes me think why the manufacturer bothers at all with a lame remote, but that’s a discussion for another day. The whole thing is wired to a Peggy 2, courtesy Evil Mad Scientist Labratories. Be sure to read the write up HERE.
From his press release:
In 1955, Eugene Polley (1915 – 2012) designed the first ever wireless remote control for the Zenith Radio Corporation. At the press of a button, the remote would magically flash an invisible light from across the room and turn your TV set on, off, or change channels, all without you budging from the couch. It was an invention that changed the nature of television.
To kick off 2013 at 18 Hewett Street, Protein is proud to present interactive artist Chris Shen’s original artwork INFRA, a largescale installation that marks the (more…)
NYX Visual Label has done some pretty impressive work in the last year, and they’ve expanded their studio offerings with NYX Atelier, focusing on the design and production of permanent digital art installs and light devices for private and public clients in Europe. Louis de Castro tells me “LIGHTBOX is a semi-modular, custom build LED ceiling that was designed by NYX Atelier for the reopening of Paris underground music venue “Panic Room” in January 2013. LIGHTBOX was developed by NYX Atelier along with Vincent Coutelin, our technical director, and Romain Belloche, our light designer, both overseeing the fabrication and visual programming aspects of the installation.
Thanks to Vincent we had the chance to travel to Shenzhen, China to purchase all the parts and electronics required but also to visit the fantastic factories and suppliers that now allow us to be more flexible than ever on the products and technologies we decide to use on each project.
The development of the installation also featured a fullfiling partnership with young French company, Chromateq, that supplied us with the DMX controllers and LED Player Software offering great control and customization on a simple package.
Not having the possibility budget wise to create a completely new designed software and controller we turned to them for providing a complete solution that would allow us to concentrate on the design, technical sourcing and fabrication but also provide great tools for developing rich content following the artistic vision for the piece.”
Make sure to check out NYX on their site as well as other projects that have been featured here on Projectionfreak.
Tigrelab just did this great videomapping for TV3 featuring Sacude. Projecionmapping and dance already go together well, even more so when you do it sideways 30 ft. up a wall! In addition to some fantastic camera work, a Dataton Watchout was used along with a single Barco 20k.
Just got a note from Wilderbe, a dance troupe that uses projectionmapping techniques to enhance their performance. Looks like they are running an IndieGoGo campaign to raise funds for a projector purchase. Let’s see….projection, dance, performing arts+technology….how could we resist? Have a look at their showreel and campaign vid below and, if you’re so inclined, head over to there IndieGoGo page to throw’em a buck or two. As we all know, this business isn’t necessarily the cheapest and creation takes effort- financially and emotionally. Director Nova Han would be most appreciative.
“Wilderbe has already performed at 2 world class festivals as main stage acts, performed at a private event for Bob Pitman CEO of Clear Channel, as well as shared the stage with Alicia Keys and Katy Perry. Crowds and reviewers have expressed how immersed they became while watching Wilderbe’s theatrical performance synergize with technology. I am beyond impressed by their performances and completely agree that the show “changes people’s perceptions of reality”, “is surreal”, “avant-garde”, and “the future of entertainment.” Its the perfect media convergence that evokes a one of a kind visual-sensory experience. We are trying to fundraise to get two projectors and a screen so that our team can master this fusion between different mediums of art.”
Projectionmapping artists Obscura recently installed a HUGE permanent projectionmapping rig for The Hive, a night club in Copenhagen. The decorations for the walls were modelled in SketchUp and transformed into flat shapes using the Pepakura Software. The different fragments were then laser cut in thick cardboard. Assembling the pieces wasn’t easy, but with patience and small nails, acrylic foam and other remedies they were put onto the wall and fastened.
They used six 4000 lumen Acer projectors for covering the two walls. They were mounted below the ceiling to cover 11 by 3 meters on each wall. The connections were made using HDMI cables. The longest stretch was approximately 15 meters – about the furthest you can go without amplification.
A Mac Pro with an ATI Radeon 5870 graphics card was connected to two TrippleHead2Go devices. On the machine, Madmapper handled the precise mapping of pre rendered graphics to the physical shapes. But apart from that we created a box with buttons that allows the employees to switch between the different prerecorded video loops. The box was created using an Arduino board that communicates with Max/MSP on the computer. Max/MSP handles the timing, fading and switching between modes and forwards a midi signal to MadMapper which then reacts by switching between between presets. Also it was a requirement that a VJ should be able to connect to the system. The VJ switches to a setting on the Arduino box and plugs in a DVI cable. This mode is handled by a Blackmagic capture card that forwards the VJ signal into Milumin. Here the VJ signal is adjusted to the dimensions of the walls (the signal is tiled and mirrored) and the output from Milumin is then via Syphon put into MadMapper.
So once again we see a prime example of how a little thought and ingenuity go a long way. Expensive components and complex gear need not be the purvey of video, mapping, or permanent installs, indeed- you can get some pretty astounding results with less. Nice work Obscura!
Who doesn’t love trains and transport museums? I thought so. No one.
We go to a lot of ‘kid-centric’ venues for entertainment (obviously- with our kids). But like any concert or theatre show I attend, I’m drawn in to the details of production. Museums and the like are pretty much the incubators for ‘multi-media’ as it were so there are no shortages of projectors and display devices- right down to the signage. So I got a thrill when I read about the London Transport Museum’s use of projection…. and their weapon of choice? Norway’s projectiondesign of course. They are celebrating 5 years of constant use. 5 years! Projectiondesign’s projectors are renowned for their utility when it comes to permanent and semi-permanent installs, as thoroughly featured by the following:
From the press release:
Situated in Covent Garden Market, London’s most frequented tourist hot spot, the London Transport Museum utilises projectiondesign F3+ and F1+ series projectors throughout the museum’s exhibit areas to tell the story of transport within London. The projection system was installed and maintained by global systems integrator, Electrosonic in 2007 and has been working non-stop ever since. “In 1933, Chief Executive, Frank Pick’s mantra was ‘fitness for purpose’ and he believed that good design was essential. This principle applies to the design of technology in our gallery,” explains Rob Lansdown, Chief Projects and Infrastructure Officer at London Transport Museum. “We use projection to show how this unique design culture was developed across the company’s entire range, from vehicles and architecture to information signs and publicity. Our requirements in 2007 were for high-resolution projectors that would be stable over time as well as produce outstanding image quality in various ambient light levels and, which required minimum maintenance over the lifetime of the exhibit. We are very pleased with how well the projectors have performed.”
F1+ projectors are installed in a specially designed ceiling mount to project a massive 12-meter floor canvas. The exhibit takes advantage of projectiondesign’s high brightness, accurate colour capabilities and 24/7 failsafe operation. Visitors can see the collection of 5,000 posters and art collection for themselves as they walk through the exhibit. projectiondesign F3+ and F1+ series projectors are used to communicate the story of London in major exhibits such as Victorian transport, World’s first underground, Pioneer tube, Travel revolution, Growth of suburbia, London in the 1920s and 1930s, London transport at war, London Icons and Transport futures.
“Our museum has no moving parts, so through projection, we are able to visualise the scale, size and complexity of London’s transport,” adds Lansdown.
“The building is an English Heritage grade II listed former Victorian flower market, which relies on natural cooling and heating. As with all technology, heat is an issue for us, and Electronsonic designed specially mounted projection systems.”
Limelight is a collective that creates monumental projection works. They’ve been fortunate enough to be able to present their work all over the world, and this most recent work is a great example of their inspiration.
I posted about their work at the Sharjah Light festival earlier this year.
If you didn’t get to the Mapping Festival this year, make sure to plan for next year! The dates for the next edition are set: May 2nd through May 12th 2013! So they are pleased to announce the open call for submissions. The dates are Aug.15th- September 20th, 2012, (AV performances, AV installations, workshops, conference) and October 1st- 31st (VJing, Videomapping)
This call is open to everyone working in all disciplines of audiovisual art and digital culture. Whatever you’re imagination and creativity can muster! Submit your audiovisual performances, installations, workshops, or other audiovisual multidisciplinary projects to be presented at the Mapping Festival!
Arkam.tv recently were involved in making the visuals for the after-hours party at Google I/O. Their overall size was 80′x20′, rear-projected. They also came up with a really inventive playback system using Android pads with Touchdesigner as the control, of course. There’ll be a write-up over at Derivative’s site soon so check there for more details.
Adam explains: “Falcon Northwest was nice enough to provide us with their newest micro tower build, The Tiki, for this project. It was running a NVidia GeForce GXT 680 which gave us an option for up to four outputs. The show’s output resolution was 2560×640 and we split that into two 1280×640 signals. Those signals were pumped out the two DVI outputs on the video card into a proprietary video mixing station from Riverview Systems. Once it entered their system they used some customized software to re-composite the two signals back together. Beyond that it was all in their hands and we didn’t have anything else to do with the signal. They were able to split the signal into three outputs that fed into corresponding projectors. (edit- looks like they used the Barco FLM 22). It was a rear projection set up. The full resolution of the combined projections was 4320×1080. The scaling on the projectors was so high quality and sharp that we decided to build our project at 2560×640 in order to maintain a high fps since our graphics were running in real-time.”
UK dance innovators MotionHouse opened their most ambitious project yet, The Voyage, two weeks ago. In celebration of the London 2012 Festival, Birmingham’s Victoria Square hosted the World Premiere of The Voyage which embarked on its maiden journey in front of a delighted audience. An estimated audience of 4,500 people were treated to the first performances of The Voyage, an epic tale that tells the dramatic story of passengers aboard the HMS Olympia, a 50ft passenger liner.
Crowds were swept away with delight as they watched incredibly physical dance and daring aerial acrobatics performed aboard the ship. This unique storytelling experience kept spectators hooked as they became part of an interactive dance and film spectacle with a talented cast of over 150.
Birmingham’s prestigious Town Hall provided the perfect backdrop to the free performance, which was complemented by stunning projections, and brilliant musical performances from the Town Hall Gospel Choir, live music from the Birmingham Conservatoire and amateur performers from Birmingham Ormiston Academy, Stratford Upon Avon College, Playbox Theatre, Solihull, Nova and Coventry Youth Dance Groups and the Motionhouse Adult dance group.
Produced by Birmingham Hippodrome, The Voyage is a fantastic cultural collaboration between one of the UK’s leading outdoor dance companies Motionhouse based in Leamington Spa and Australia’s acclaimed physical theatre and aerial company Legs On The Wall, from Sydney. The music was specially written and composed by Sophy Smith and Tim Dickinson. The set is a life-size cruise liner designed by Simon Dormon with stunning film projection from Logela Multimedia from the Basque region of Spain.
Scott Snibbe has gotten a lot of press lately and for good reason. He’s been in the interactive art scene for 20-something years and has collaborated with such celebrated innovators as Bjork, Brian Eno, and James Cameron. His latest work is called “Transit” and is one of 17 pieces running on a 58 back-to-back HD monitor ribbon overhead at the Tom Bradley International Terminal at LAX. In Scott’s words :”The 15-minute video features hundreds of pedestrians in silhouette who take part in a loose narrative grounded in their ceaseless movements left to right. Against this backdrop, travelers occasionally put down their bags and break into exuberant dance routines in styles that reflect L.A.’s diversity: from Hip-Hop to Salsa, Ballet, and Punk.
Midway through, the high-definition story shatters into abstracted fragments as multiple copies of travelers wipe forward across the screens; moon-walking travelers float backwards; crowds spew out from single travelers; and a Lady in Red appears who is ignored by them all. The project is a collaboration with Choreographer Francesca Penzani, and videographer Noah Cunningham. The California Institute of the Arts Center for Integrated Media offered substantial facilities and support for the project’s production.”
Here’s a piece from the good folks at the Creator’s Project that goes into detail about some of his innovative work: