And here I thought that was just my favorite bar reply….
Netherlands-based media firm Circus Family combined forces with Jurlights and came up with this huge 360-degree projectionmapping at Gashouder Amsterdam. The gig was for Amsterdam Couture house, Scotch and Soda, for the launch of their 2013 line. Using four Hippo HD’s they were able to pipe content to ten Barco HD20′s mounted in a ring in the center. They used the ScreenWarp feature to cut the roundness and then threw in a couple of Hippo Critters with a 16×16 DVI matrix to finish it off. Technician Menno Broere tells me they didn’t even have to blend the projectors…just masked out some physical attributes. That’s how we like it- simple and clean. So many times this type of technology is ‘over done’ from the production side, so it’s nice to see people keeping to the oldest axiom in show biz- Keep It Simple Stupid.
Corporate Staging Resources recently staged a huge projectionmapped stage for the USANA International Sales Convention in Downtown Salt Lake City. The event at Energy Solutions Arena spanned 3 days with 12 hours of content and 11,00 in attendance. The stage and set elements were 100% projection using pre-produced animations, live action video, motion graphics, integration with live performance, video rolls, powerpoint files, and live IMAG. All the content was developed by USANA Studios. The custom scenic 44′h x 88′w x 40′deep finished wood and muslin panels were underlayed with steel/aluminum structure and the deck was 40′d x 88′w which included hydraulic doors and an elevator.
Stage Design: Jeffrey Berke and Michael Dolan
Projection and Pandora’s courtesy DWPLive!
For projection, they used 15 (fifteen) Barco HD18X in 5 (five) zones and 8 (eight) Pandora’s Box Servers plus a Manager. It’s pretty evident where the zones were if you look at the model ( around :27 in the video). I love seeing stuff like this because it makes me believe that the one-off gigs are coming back- that the ‘corporate staging’ market is coming around again…..remember when we all did HUGE corporate gigs that really needed technology like this? A great job by CSR and I hope to see more of it!
Touch technology is so prevalent now that it’s hard NOT to use some incarnation of it on a day-to-day basis. From the oft-referred-to scenes from Minority Report to a weekly peek on NCIS, huge touchscreens are becoming the norm from corporate boardrooms to police HQ. I ran a piece a while back on the huge interactive video wall at the University of Dayton, but that was a projection-based system. Now it seems we’re seeing LCD screens of the same size, no longer restricted to NOC’s and control centers.
I recently got a sneak-peek at such a behemoth being custom built by Sensory Technologies. My beloved DPI Lightning HD35 was coming back from hospital and ready for pick up at the ST dock- and this awe-inspiring wall, in the build room, was in it’s final touches before being deployed. Field Engineer Chris Poore was kind enough to show me the particulars….
I haven’t posted much in the last week because, quite frankly, I’ve been working my ass off. We were a bit shorthanded at the theatre and it ended up being a loooooong week. But I’ve slept since then and the gig this week is Pirates of the Caribbean- Curse of the Black Pearl…Live! Basically, we screen the film and the Indianapolis Symphony Orchestra plays the soundtrack. Ought to be easy right? Read on….. (more…)
Barco has announced the NSL-5521, a 55″ full HD LCD with LED backlight. You’ll probably install it in a control room with a bunch more to make a huge wall, but why not stick one in your board room or living room for that matter? As a tiled LCD solution, the NSL-5521 is ideal for personal wall environments and adjunct control rooms in Emergency Operations Centers, traffic management and surveillance centers, C4I-SR environments, utilities and process control centers and broadcast & telecom monitoring applications.
Narrow-bezel display for tiled video walls
The new NSL uses durable LED backlights positioned directly behind the LCD panel and has the (more…)
The following appears in the current issue of PLSN magazine, and I can’t thank them enough for printing it. But here on Projectionfreak you get some extras….
I use a PTZ camera system at work that is a package supplied by Markertek (outstanding prices and service from these folks….highly recommend them!) ….and manufactured by Vaddio…namely a ProductionVIEW switcher, 3 HD19 PTZ cameras with CCU, a Vaddio 3-way monitor, and a Vaddio 2-way HD monitor. The switcher is at the heart of the rig, providing control over the 3 cameras, a fourth PTZ (Sony EVI-D70), computer input, and DVD input. I should say up front that I am not paid by Vaddio or Markertek, nor do they receive advertising credit or endorsement from me or from Projectionfreak.com.……although ANY/ALL of those options and scenarios are open for discussion! Hint hint- as in “call for a rate card” hint….
I happen to use their gear based on price and performance and I couldn’t be happier. It’s great stuff and the image quality is outstanding- but on with the hands-on review:
Vaddio ProductionVIEW HD Switcher
As the ‘video guy’ I get asked to wear a lot of hats and it’s not just because I’m a nice guy that says “yes”. There’s a lot of factors to keep track of- not the least of which is keeping a decent image onscreen. If you’re touring, you’re usually just trying to keep the gear from being destroyed- if you’re in corporate you have the constant harangue of having to edit presenter imagery- if you’re in trade shows, well- that list is too long. Usually this is all on top of being the switcher. If you are the lucky person that owns/rents the gear that makes all that happen, you need equipment that does more than one thing. So it goes (more…)
Here’s a great video from our colleagues at Moov, a design/production house in Poland. It’s a good peek behind the scenes of what a good car projectionmapping consists of. Dig the projectionDesign F82 3-chip 10k’s! We’d also like to congratulate Moov for their Innavate 2012 Award for ‘Most InnAVative Corporate Event Project’. If you look at the nominees for 2012 in that category you’ll know this was not easy! Check out more of their work at their website or Youtube channel.
And of course, the video itself: