Software so easy, it removes all artistic skill….
I know, there are a lot of people that this new piece of software will piss off.
For you Touchdesigner followers, Touch In-N-Out Meetup is in Brooklyn this Friday Sept. 6th. Dev Harlan and Barry Threw will be on hand to discuss their work with Touchdesigner and give attendees a rare glimpse into the world of this great piece of software and it’s influence on the industry. Head over to TouchIn NYC to RSVP and get directions. If you’re anywhere near the Eastern Seaboard and want to attend an incredible session- this would be the one!
Rumor has it there will be a live stream, so stay tuned- I’ll post a link if one becomes available.
Check out this recent vid from the venerable Memo Akten of Marshmallow Laser Feast. Just some tests with realtime interactive lasers (this time a 4W RGB, 90Kpps), finger tracking, ilda, etherdream dac, leapmotion, openframeworks, ofxEtherdream, ofxIlda, ofxLeapMotion and a DJI Fantom thrown in for good measure.
I’ve played with a Leap…it’s veeeerrryyy promising! Nothing beyond the developer stages just yet, but this takes it to a whole new level! Nice work Memo!
From our friends over at Immersive Ltd. comes this building-sized projectionmapping done at the Friends House, home of Quakers in Britain.
Ben tells me they used 3 x Christie Roadie 35K to do the gig. Parts of the content were created by the in-house creative at Immersive’s Studio using 3D Studio Max, After Effects, Cinema 4D, Maya. Immersive also worked with students to produce some of the content using a variety of packages. Students were from Ravensbourne College, University of West London, Middlesex University and Teeside University.
The final piece was edited together in Final Cut Pro. The resolution of the project was 3600 x 1080.
The mapping and playback was from 2 x T4 Ai media servers a primary playback machine and a hot spare running through a Switcher.
Biofuel power lights and sound equipment by Firefly Solar (http://www.fireflysolar.net/). Sound design by Zen Death Squad (http://zendeathsquad.com/), music by Jazon Mraz (http://jasonmraz.com/) and the project was curated and directed by Immersive Ltd (http://www.immersive.eu/). Immersive donated the project to Greenpeace UK.
This business is full of deadlines and we all hate them. For some of us it’s more Love/Hate (I personally love tight deadlines…makes you feel alive). The following video shows a rather hectic deadline that Montreal-based GraphicsEmotion dealt with around Coachella time. Next time you have a deadline, remember what it must be like for a bunch of people to have that same deadline, and what it took to get to the end! We’ll look at some more great stuff from Julien Abril and the team at GEM in the very near future……
Got a great tip from Erick Calderon over at Light Art Interactive- his new projectionmapping app for iOS called- you guessed it- Light Art. Erick works a lot with Touchdesigner and got tired of using giant computers to come up with mapping schemes, so why not make a tablet app? I haven’t had a chance to download and use it yet, but it looks fascinating. As soon as I procure an iPad, I’ll let you know how it goes, but in the meantime, for those of you with an iPad with an HDMI interface, give it a go and let me know…better yet- let Erick know!
From The Agency, comes this great looking project- shot at night in the forest of Fontainebleau. Romain tells me they first shot the band members in their photo studio. Then, during the night in the forest of Fontainebleau, they projected their portraits on the rocks and trees and then took about 600 pictures (like a stop-motion). Finally, they assembled the pictures and added a camera traveling (parallax) and transitions between pictures (morphing) with Apple’s Motion software. Love that they did it on the fly, with a car battery and an inverter!
- video projector Optoma 3000 lumens
- electrical converter
- power supply car battery
- midi keyboard
- camera Nikon D800
- Apple Motion
- Apple Final Cut
When I was a kid growing up on the West Coast, the hot ticket in shoes was to own a pair of Vans. They ultimately became the de-facto skate/surf/grunge wear shoe-of-choice when they came out with the slip-on version (still are AFAIK). The beauty of Vans at that point (early 80′s) was that they were still quite boutique and you could pick and choose different colors/fabrics for the various designs they had. If you were reeeaallllly cool, you could take (as I did) your own fabric in and have them make a pair for you.
Fast forward 30 years and you get the following. (more…)
There’s some great videos coming out of the Mapping Festival 2013 held May 2-12 in Geneva. I’ll post some more this week- We’ve seen the work of Bordos.Artworks in the past, but here’s a reminder- I wish I had a decent pair of 3D goggles…..
By all accounts it looks like Form and Substance was a big success. If you couldn’t make it to the show, here’s a little teaser footage with a few recognizable pieces….
Hoping to get some details from Bryan in the near future…
Big reminder- Form and Substance: Projection Mapping in Contemporary Art, the first group exhibition in the United States dedicated exclusively to artists working with projection mapping as a medium- is this Friday. If you’re in the NYC area and you’re a fan, get to this exhibition!
In addition to the already outstanding line-up (including Davy and Kristin McGuire, John Ensor Parker, Joanie Lemercier), they’ve added two new artists to the roster: Joel Fitzpatrick is a fine artist, fashion designer, interior designer, lighting designer, and production designer. He will be presenting three works, including a collaboration with New York based painter and graffiti artist Adam Dare.
The exhibition opens Friday, May 10 at 6 PM at the Gowanus Ballroom at 55 9th Street in Gowanus, Brooklyn. The opening party is from 6 PM to 10 PM, and entry is free.
There will be a $10 cover charge starting at 10 PM, with Percussion Lab residents Nooka Jones and Archie Pelago playing till 4 AM. Proceeds from the door go to benefit the Gowanus Ballroom, which is still recovering from damage incurred during Hurricane Sandy.
The full list of artists is below. We are also still accepting tax-deductibe donations to help defray costs, including travel and accommodations for our foreign artists, promotional expenses, and production costs for several works. All donations are processed by Mister Artsee, a 501 (c) (3) arts-industry non-profit. Email for details about donating.
Mapping Festival 2013 is about to get under way in Geneva so get tickets NOW. There’s something for everybody- installations, VJing, and workshops on mapping and stage design from the likes of Boris Edelstein, Joanie LeMercier, and Phillipe Chaurand.
“The Mapping Festival is a multidisciplinary festival dedicated to audiovisual arts and digital cultures. As the sole broadcasting space of this magnitude in Switzerland, the festival is now also recognised internationally, and this with the richness of programming. Mapping Festival offers every year audiovisual performances, installations, clubbing parties, live performances, architectural mapping, as well as workshops and conferences.
Thanks to this unique diversity aspect, the festival is recognised throughout the world as an major event, a real experimental meeting space, for creation and exchange with its innovative thinking in the field of audiovisual arts.
Now in its eighth edition, the Mapping Festival has steadily grown and has become one of the leading events of its kind in Europe.”
The lighting design arm of NYX Visual, NYX Atelier recently did a private showing of “Tetraedre”, a projectionmapped sculpture for Vincent Coutelin’s private collection. The team painstakingly created the entire structure out of scrap materials and glue. They used a Panasonic 6k and a combo of Madmapper and Modul8 to drive the visuals. Nice work!
Exciting news from Brian and Michelle over at Integrated Visions- they’re opening a group exhibition entitled “Form and Substance” at the Gowanus Ballroom on the weekend of May 10-12. It’ll feature works by Joanie LeMercier, Claudio Sinatti, Domingo Zapata, and more. Here’s an excerpt fro the release note:
“Integrated Visions Productions is excited to announce an additional creative path for 2013. In the wake of the success of the ‘Codex Dynamic’ group exhibition at the 2012 DUMBO Arts Festival (see PF article), which received the festival’s Grand Prize and Best in Show awards, we’re focusing on more intimate artwork.
We’ve developed a series of projection mapped paintings, combining fine art painting techniques with cutting-edge, projection-mapped animations to create a hybrid medium that we see as the first new terrain being explored by working artists in the 21st Century – akin to Impressionism and similar upstart movements at the turn of the last century.
We quickly realized that there exists a global community of artists and technologists working at the intersection of the traditional media of painting and sculpture and projection mapping, and we began to contact our favorite practitioners and curate a group exhibition.
Form and Substance, North America’s first group exhibition dedicated to projection mapping as a fine arts medium, will take place the weekend of May 10-12, at the Gowanus Ballroom in Brooklyn, New York. The Frieze Art Fair, the enfant terrible of the global festival circuit, takes place in New York over the same weekend, making this a unique opportunity to make a global impression.”
If you’re in NYC or anywhere near on that weekend- this is one NOT TO MISS.
The incredibly inventive folks over at White Kanga recently did this huge industrial for CTL Logistics. Utilizing eight 22k projectors and Touchdesigner, they transported the audience on an intergalactic themed presentation, and then fed live video of the entertainment into the animated video frames. These guys do some amazing work- make sure to check out their piece that appeared on PF previously… MPS v1.0
To participate, all you have to do is fire up Resolume and go crazy with the sources, effects and blend modes. Make combinations that you didn’t think were possible. Stack effects as high as wedding cake to make something totally new out of that Solid Color. Flip the order of the blend modes and see what comes out. Above all, have fun with it!
The only rule is simple: you can only use the built-in effects and sources of Resolume. No still images, videos or webcam footage.
Record your output, upload it to Vimeo and post it as a reply on this thread. Don’t forget to Include your .avc as a zipped attachment.
Amaze us. First Runner Up walks away with a brand spanking license of Avenue. The Winner walks away with Arena and gets to release his or her work on the label.
Now go and make us proud!
Deadline 28th of February.
Devin Wambolt over at DCBolt Productions gave me the heads-up on this crazy nightclub install they just completed. The club is Castle Nightclub in Chicago and they premiered the system for a huge NYE bash this year. Devin reports: “We are using three different types of LED’s in this system, (aside from the house lights) LED panels, LED strips, and LED modules. Our LED strips are (32x) SMD5050 LED pixels per meter, our Modules are (5x) SMD5050 LEDs per pixel, the LED panels are 6 millimeter pitch SMD2835 LED pixels. The led strips and modules are run by MADRIX Ultimate for real-time dynamic playback. The LED panel screens are being driven by a custom configured Resolume Arena setup.
Some pretty impressive work, and I’ll be sure to check it out next time I’m in Chicago!
Roberto Fazio joined forces with Joanie LeMercier in a projectionmapping workshop sponsored by Teleknoika. Looks like it happened in November, but through the magic of Vimeo and Projectionfreak, you too can see the action. The turnout really underscores the popularity and interest that this medium has enjoyed the past year or so.
Brett Jones, over at Projection Mapping Central sent me a really neat project he worked on as an intern at Redmond. Microsoft’s ‘IllumiRoom’ is a proof-of-concept system for augmenting the area around a display with projected visualizations. Gamers- take note! Yikes…what’s going to happen when I use this with 3D glasses????
SOTA Creative drives game changing experience for Subaru Australia.
Following product supply challenges that resulted from the tragic Japanese earthquake and tsunami, Subaru Australia needed a game changing communication experience to re-motivate their Dealer Network and Launch two new models. As long term experiential agency for Subaru Australia, the team at SOTA conceived and produced a one-off experience incorporating a “Virtual Drive”, where all 240 people in the audience became passengers in a unique 360 degree cinematic creation. On over 125 metres of continuous screen, a Full High Definition projection system took our audience on a drive through some of Australia’s iconic landscape and environments.
SOTA Creative conceived and produced two major 360 degree cinematic experiences, one each for the reveals of the Impreza and the XV, plus continually changing 360 degree visual effects for environment design and speaker support for the duration of the evening. The images were created and edited to be delivered at Full High Definition (22,000 pixels wide and 1080 pixels high). The virtual drive experience was shot using a purpose built 9 camera rig which was mounted on a custom-fitted Film vehicle. Post production was done both in Los Angeles and Sydney and converted by SOTA to be projected through 12 Christie Projectors (HD-10k) and a Dataton Watchout Control system. Haycom provided the Christies and the staging/rigging.
all imagery courtesy/copyright SOTA Creative
After a worldwide search, SOTA Creative sourced a Los Angeles based camera system and rig capable of delivering 22,000 pixel width 360 degree images, developed a post production process to deliver the finished programs to a Watchout controlled system and then to 12 matched Christie projectors. Social Animal used the incredible SA360 rig to deliver the goods. (Make sure to check out their site for some cool interactive loops and extra footage- and some pretty amazing case studies).The continuous audience surround screen surface was a challenge in itself, needing to be floor to ceiling, while allowing “openings” for audience arrival, F&B service and the revealing of Vehicles and Entertainment. The LA team from Social Animal came to Australia for literally a 3 day shoot. We also used a still shoot of the interior of the car to produce the interior of the car and then this was added as the foreground of the video. We then had the challenge of doing rescaling up to 22,00 pixel width and had to crop it to our Aspect Ratio requirements and cut it up to suit the 12 Christie projectors (12 movies playing together using the ‘Watch out System”. And before all of this could happen we had to produce the foreground plate with the ‘interior of the car’. We produced this as a 22,000 pixels wide by 1080 high all played in full high definition. The end result was projection 106 metres around all the audience. Notice, also that the ‘rear view mirror’ had the same image as the ‘rear window’.
When I was a kid, Saturdays were sometimes spent going to work with my Dad. He was an architect and since it was a weekend, we had the run of the place. I invariably would gravitate to the drafting room which, at his place, was huge! Lots of workstations, cabinets with every kind of colored pen/pencil/tip combo, electric erasers, all manner of paper, model making supplies, etc. Basically, everything that a small curious boy could get in trouble with! The thing that fascinated me the most though, were the scale models of all the buildings they were working on. Super intricate detail, all the way down to the little people cutouts and hand railings, as well as street signs and various decorative flora. So I was thrilled to come across the work of Davy and Kristin McGuire, an artistic duo out of the UK that does small-scale paper modeling combined with projection techniques. They form The Ice Book and direct, design, and perform their original video/model mashups for everything from installations to live theater shows, dance performances, interactive video performances and everything in between.
Their paper models are extremely detailed and exquisitely cut. Adding the element of projection just completely brings them to life. They use After Effects and Final Cut to render the final video, and (no surprise here) Madmapper to map the sets. So often on this site I focus on large-scale scale work, only to realize the really detailed stuff is every bit as intriguing!
A couple of their pieces stand out- ‘Psycho- Homage to Hitchcock’ as well as ‘The Hunter’.
Here’s some fascinating examples via their Vimeo page:
The idea of an interactive pinboard at home is just so strikingly obvious….I think I’m going to start assembly immediately! Now to make it so there can be date-relevant info displayed along with fun remembrances and package it up in a mappable environment…hmmm……
Well….The Venetian. In Las Vegas. But it looks like Venice, right? The Projection Studio is at it again with a winter wonderland being projected onto the facade of the Venetian Hotel in Las Vegas. Ross Ashton is no stranger to giant projection gigs, having accomplished some pretty amazing projects this past year. You can read more about them here or over at the Projection Studio’s website.
London, UK, based The Projection Studio – led by Ross Ashton – has delivered a spectacular and eye-catching new monumental video projection show to help celebrate the ‘Winter In Venice’ Festival at the world famous Venetian resort in Las Vegas.
Ashton has also created a series of works for a permanent video son et lumière extravaganza which was launched in summer and is being show nightly, year round. The colourful, vibrant giant images are projected on to a 25 x 25 metre canvass forming part of the Venetian’s frontage including a full scale replica of the famous Clock Tower from St Mark’s square in Venice. Ashton was initially asked by the Venetian to consult on the technical installation and produce all the projection artwork, after which he tendered and won the project having faced off some serious competition!
The newest ‘Winter In Venice’ video work is centered around Amadora, a character with roots deep in Italian folk lore, created by the Venetian as a key symbol for their 2012 Festival. In the projection show, she represents an anthropomorphisation of time – she is young at the start of the year and ages with the passing of time. Ashton developed this temporal idea and combined it with Vivaldi’s famous Four Seasons violin concertos as a starting point for his visual imagery, which follows the changing seasons of the year. It starts with the chilly ice of winter covering the building, which melts to reveal the flowers, positivity and energy of spring. For summer, viewers are transported to vivacious fields of blooming sunflowers, complete with a massive bee flying through, colliding with dandelions and pollinating them which then transitions into autumn. Grapes grow up the side of the building, mushrooms sprout and dance emphatically to the music and leaves swirl and jive around in a sea of movement, being buffeted by the seasonal breezes. These blast the action into winter, where the building ices up again … ready for the Festive season.
The five-minute piece is accompanied by a special re-worked version of The Four Seasons created by UK based sound artist, Karen Monid. She created one minute musical vignettes based on Vivaldi’s score, but very much in her own style.
A key reason that The Projection Studio was chosen to produce the series of visual shows is Aston’s reputation for pictorial storytelling with detailed historical references, which can really bring significance and relevance to any building or environment. The Venetian’s team wanted each show to have real depth and substance as well as being instantly accessible for the public. The resulting ‘live art’ phenomenon has been hugely successful at the Venetian with the initial three daily shows, and this has now continued with the special ‘Winter In Venice’ work. Says Ashton, “The challenge was to produce a unique and interesting narrative to engage onlookers in each case, which also required a distinctive Venetian feel, and had to be delivered to exceptionally high standards”. He has really enjoyed the experience, in the process adding The Venetian to a growing list of global landmarks to receive the Ashton projection art touch!
Ashton created all the storyboarding and worked alongside two other graphic designers – Nils Porrmann and Sang Gun Kim – on the imaging.
Congratulations to Mark Coniglio, creator of Isadora, for a WTA win! It’s hard to say how Izzy has affected me in my work- it’s the first app I used for video manipulation, and the one that kept me hooked- but it’s so much more than that. The Isadora user community is pretty unique. If you haven’t had a chance, check out Troikatronix and give it a whirl. Chances are it’ll change the way you work.
NEW YORK, October 23, 2012: The World Technology Network, in association with CNN, TIME, Technology Review, and Science, awarded composer and media artist Mark Coniglio the 2012 World Technology Award in the category of the Arts at a ceremony at the Time & Life Building in New York City.
The award recognizes “innovative work of the greatest likely long-term significance.” Coniglio’s award in the arts category recognized his contribution as a composer, media artist and co-founder of the performance group Troika Ranch; as the creator of the interactive media-software Isadora; and for his contribution as a teacher who has shared his aesthetic vision and technical know-how through innumerable workshops across the globe.
Of his award, Coniglio said “I’m thrilled to receive this wonderful honor. I’ve spent my life exploring the intersection of art and media, trying to find ways to use computer technology to more deeply express the human experience. To have that journey acknowledged by the WTN is truly gratifying.” The new WTN Fellows and Corporate Members were officially inducted into the WTN membership during a gala ceremony at the Time & Life Building in New York City, where the winners were announced. The Awards gala occurred at the close of the World Technology Summit, a two-day “thought leadership” conference held in association with the WTN’s partner organizations.
The World Technology Awards have been presented by the WTN since 2000, as a way to honor those in 20 different categories of science and technology and related fields. The annual World Technology Awards nomination process is an intensive global one, lasting many months. The Award nominee pool this year of over 600 nominees came from three sources: names put forward by the WTN Fellows (winners and finalists from previous annual Award cycles in the individual Award categories); research by the WTN staff; and, to a lesser extent, from nominations from individuals and companies themselves.
The WTN is a curated membership community comprised of the world’s most innovative individuals and organizations in science, technology, and related fields. The WTN and its members – those creating the 21st century — are focused on exploring what is imminent, possible, and important in and around emerging technologies.
Yikes! When do you ever get a chance to see the likes of Joanie Lemercier, Kyle McDonald, and Joel Gethin Lewis in the same room demonstrating real-time video artwork? At the ScreenLab Residency that’s where! Through the ScreenLab 0×02 residency, artists Kyle McDonald, Joanie Lemercier and Joel Gethin Lewis worked together with students and researchers at MediaCityUK and an advanced technology center on the main campus (Dig this place: The Centre for Visual Environments). It features the Octave, a truly astounding setup which is detailed HERE. Together they developed interactive artworks that provided a unique experience for each visitor by creating artificial worlds using sound and visuals that react to their movement.
The results of the residency were unveiled at a launch event on Wednesday 5 December which formed part of the University’s As Yet Impossible series of lectures, bringing together future thinkers to challenge audiences and give them a glimpse of how science and the arts can combine to shape the world. The really cool thing is that most of the work is openly available on Github- Here’s Kyle’s, Here’s Elliot Woods’ (curator and open source contributor to vvvv). The following is the Livestream broadcast (jump to :41-ish for the true start):