There’s some great videos coming out of the Mapping Festival 2013 held May 2-12 in Geneva. I’ll post some more this week- We’ve seen the work of Bordos.Artworks in the past, but here’s a reminder- I wish I had a decent pair of 3D goggles…..
By all accounts it looks like Form and Substance was a big success. If you couldn’t make it to the show, here’s a little teaser footage with a few recognizable pieces….
Hoping to get some details from Bryan in the near future…
Big reminder- Form and Substance: Projection Mapping in Contemporary Art, the first group exhibition in the United States dedicated exclusively to artists working with projection mapping as a medium- is this Friday. If you’re in the NYC area and you’re a fan, get to this exhibition!
In addition to the already outstanding line-up (including Davy and Kristin McGuire, John Ensor Parker, Joanie Lemercier), they’ve added two new artists to the roster: Joel Fitzpatrick is a fine artist, fashion designer, interior designer, lighting designer, and production designer. He will be presenting three works, including a collaboration with New York based painter and graffiti artist Adam Dare.
The exhibition opens Friday, May 10 at 6 PM at the Gowanus Ballroom at 55 9th Street in Gowanus, Brooklyn. The opening party is from 6 PM to 10 PM, and entry is free.
There will be a $10 cover charge starting at 10 PM, with Percussion Lab residents Nooka Jones and Archie Pelago playing till 4 AM. Proceeds from the door go to benefit the Gowanus Ballroom, which is still recovering from damage incurred during Hurricane Sandy.
The full list of artists is below. We are also still accepting tax-deductibe donations to help defray costs, including travel and accommodations for our foreign artists, promotional expenses, and production costs for several works. All donations are processed by Mister Artsee, a 501 (c) (3) arts-industry non-profit. Email for details about donating.
Collecting awards, that is. Chicago based visual studio Leviathan garnered the Platinum Remi Award for Visual/Special Effects this past weekend at the 46th WorldFest-Houston International Film Festival (www.worldfest.org) for their original short film “Lilith”. Then, at the FITC Toronto Design and Technology Festival last Monday, Leviathan’s executive creative director Jason White personally accepted the FITC Best Animation Award for the studio’s sensational “Wooden Toy” project for Ninja Tune recording artist Amon Tobin.
“We have an awful lot of people to thank for putting us in the position to earn this recognition from the judges of the world’s longest-running independent film festival, and from the FITC, which covers the future of everything innovative, technical and creative,” White began. “Across the spectrum of our phenomenal creative partners including V Squared Labs and Red Moon Theater among many others, unbelievably talented and passionate artists and craftspeople, to my fellow principals Chat Hutson and Matt Daly, we are counting a lot of blessings this week. Immense thanks to everyone who has played a part in our success to date, and with this recognition, we are even more inspired to create phenomenal visual experiences.”
Since launching in 2010, Leviathan’s collaborations with agencies, brands and leading filmmakers have rendered scores of sensational projects across all markets and industries and earned award recognition from the Association of Independent Music, Communication Arts Magazine, the AICP, The D Show, The One Club, and the Themed Entertainment Association.
Earlier in his day at FITC, Jason presented his original talk entitled “Hyperblender, the collision of art and technology” an hour-long presentation discussing vision, our past and future of creating transformative visual experiences. According to feedback from conference organizers and on Twitter, it was one of the most talked-about of the conference’s 70 sessions, which drew over 1,200 attendees from around the world over the past three days.
Congratulations Leviathan! Well deserved accolades!
d3 Technologies are pleased to announce San Carlos based rental and staging company Tekamaki have signed up to become the latest d3 Studio. With a client base ranging from NASA to Nintendo and Electronic Arts to Google, Tekamaki profiles as a high-end technical service provider with deep roots in display technology and an extremely knowledgeable staff.
Tekamaki’s capabilities range from concept development through process management, project design and staging. A small, flexible company with decades of industry experience between its team members, Tekamaki’s focus has always been on teamwork, talent, innovation and the latest in display and media technology to help their clients successfully communicate their message. Tekamaki used d3 systems on the September 2012 DreamForce event for Salesforce.com, which saw the entire San Francisco City Hall mapped up for a one-off performance by the Red Hot Chili Peppers. Based in San Carlos, California, Tekamaki team members include Matt Ward (co-founder of Element Labs), Joe Conway, Ron Machado, Robert Loney and Christopher Burdett.
I know I know….Coachella’s in full swing and UMF is so- well, done. But UMF was a huge hit this year (surprise) and along with being a huge hit, you have to have huge structures- like this one:
Design by Stephen Lieberman – SJ Lighting -sjlighting.net Production by AG Lights & Sound – ag.tc Video by ASK Media Productions – Adam Kaplan – askmediaproductions.com
Mapping Festival 2013 is about to get under way in Geneva so get tickets NOW. There’s something for everybody- installations, VJing, and workshops on mapping and stage design from the likes of Boris Edelstein, Joanie LeMercier, and Phillipe Chaurand.
“The Mapping Festival is a multidisciplinary festival dedicated to audiovisual arts and digital cultures. As the sole broadcasting space of this magnitude in Switzerland, the festival is now also recognised internationally, and this with the richness of programming. Mapping Festival offers every year audiovisual performances, installations, clubbing parties, live performances, architectural mapping, as well as workshops and conferences.
Thanks to this unique diversity aspect, the festival is recognised throughout the world as an major event, a real experimental meeting space, for creation and exchange with its innovative thinking in the field of audiovisual arts.
Now in its eighth edition, the Mapping Festival has steadily grown and has become one of the leading events of its kind in Europe.”
Barco’s DP2K-10Sx looks like a great PJ for smaller venues and art-cinemas. With 9k output and 3TB of RAID 5 DCP Doremi storage, it’s listed with a max screen size of 9-10m for 2D. It looks to be in the ranks with the Solaria 1 and the Sony SRX-R515. Rumor is the street price is $35k-ish. Read on:
Tim Sinnaeve, Market Director Digital Cinema at Barco: “Going digital is a big and important step for smaller cinemas. There is a lot of concern in the industry that the transition from 35mm to digital threatens the survival of smaller, independent and arthouse cinemas that take up a unique position in the cinema landscape. Barco strongly believes that Digital Cinema also offers a unique opportunity for these cinemas to thrive, as it offers them flexibility in their programming and new business opportunities. Our new projector will make the transition easier for smaller theaters and help them grasp these new opportunities.”
The Barco DP2K-10Sx projector comes as a fully integrated, DCI-compliant projector – including a 0.69” DLP Cinema® projector, a high-grade cinema lens and an Integrated Media Server with integrated redundant storage. In it’s class, it offers the brightest and sharpest image quality, being the perfect worry-free solution to go digital with minimal hassle and risk.
Check out this massive work from QED. They were contracted to projectionmap the stage for the BBC broadcast of “Funny for Money”, a huge fundraiser put on by Red Nose Day to help people in need.
From their press release:
“QED Productions successfully delivered ground-breaking video mapping and stage lighting integration for Comic Relief’s seven-hour television broadcast on BBC One, by using nineteen high-brightness Christie 3-chip DLP projectors.
According to QED Director Paul Wigfield “not only was this was the most challenging indoor projection mapping ever attempted but also the entire rig had to be installed in just one day”. (more…)
AntiVJ has once again conquered a major projection mapping on a very unique structure. Paleodictyon is shot onto the curved exterior of architect Shigeru Ban’s the Centre Pompidou Metz, France. “(The piece is) loosely inspired by the work and research of deep-sea expert Peter A. Rona, (and) abolishes notions of scale by contrasting micro-architecture with human construction. Fascinated by the marks left by unknown creatures called Paleodictyon Nodosum, he offers the hypothesis that these hexagonal structures are designed in order to cultivate bacteria. A modern day Captain Nemo, Peter A. Rona wanders relentlessly across the seabed looking to discover (more…)
As part of a wholesale technological overhaul in one of Europe’s most evocative museum spaces, projectiondesign has supplied 40 of its high-performance DLP® projectors to the Museo Nazionale del Cinema in Turin, Italy. The projectors were provided by and supported by Italian distribution partner, AGMULTIVISION and installed by Italian System Integrator OVRIT VIDEO. Image courtesy OVRIT Video
Housed inside the Mole Antonelliana, (more…)
The lighting design arm of NYX Visual, NYX Atelier recently did a private showing of “Tetraedre”, a projectionmapped sculpture for Vincent Coutelin’s private collection. The team painstakingly created the entire structure out of scrap materials and glue. They used a Panasonic 6k and a combo of Madmapper and Modul8 to drive the visuals. Nice work!
Exciting news from Brian and Michelle over at Integrated Visions- they’re opening a group exhibition entitled “Form and Substance” at the Gowanus Ballroom on the weekend of May 10-12. It’ll feature works by Joanie LeMercier, Claudio Sinatti, Domingo Zapata, and more. Here’s an excerpt fro the release note:
“Integrated Visions Productions is excited to announce an additional creative path for 2013. In the wake of the success of the ‘Codex Dynamic’ group exhibition at the 2012 DUMBO Arts Festival (see PF article), which received the festival’s Grand Prize and Best in Show awards, we’re focusing on more intimate artwork.
We’ve developed a series of projection mapped paintings, combining fine art painting techniques with cutting-edge, projection-mapped animations to create a hybrid medium that we see as the first new terrain being explored by working artists in the 21st Century – akin to Impressionism and similar upstart movements at the turn of the last century.
We quickly realized that there exists a global community of artists and technologists working at the intersection of the traditional media of painting and sculpture and projection mapping, and we began to contact our favorite practitioners and curate a group exhibition.
Form and Substance, North America’s first group exhibition dedicated to projection mapping as a fine arts medium, will take place the weekend of May 10-12, at the Gowanus Ballroom in Brooklyn, New York. The Frieze Art Fair, the enfant terrible of the global festival circuit, takes place in New York over the same weekend, making this a unique opportunity to make a global impression.”
If you’re in NYC or anywhere near on that weekend- this is one NOT TO MISS.
The incredibly inventive folks over at White Kanga recently did this huge industrial for CTL Logistics. Utilizing eight 22k projectors and Touchdesigner, they transported the audience on an intergalactic themed presentation, and then fed live video of the entertainment into the animated video frames. These guys do some amazing work- make sure to check out their piece that appeared on PF previously… MPS v1.0
TED talks are all the rage- and this one made my Monday! John Ensor Parker is a projection artist who recently did CODEX Dynamic at the DUMBO Artsfest. His work is pretty fascinating and this video gives just a little glimpse into the process behind making a large-scale work like CODEX happen. Yeah, yeah…we all know it takes servers and projectors and lots of cable- but John emphasizes the importance of knowing where our medium came from….we owe a lot to the past. Check out the article previously on PF HERE. Many thanks John!
I have a friend experimenting with low-rez video (of the tube variety) and I said I’d look into some ideas…little did I know it would lead me to Chris Shen’s fascinating work- Infra. A TV made from discarded remote controls. There’s so many great things about this piece that it’s hard to know where to start. Hacking, tinkering, re-purposing, and a smidge of nostalgia all rolled into one glorious low-rez display that has to be seen with infrared goggles. Love it! Personally, I use the Harmony 720 (actually three of them) and though I tried really hard- I could not find one in the photos. When I purchase a new monitor or TV, the remote is usually the first thing I toss- knowing full-well there are better alternatives out there. Kind of makes me think why the manufacturer bothers at all with a lame remote, but that’s a discussion for another day. The whole thing is wired to a Peggy 2, courtesy Evil Mad Scientist Labratories. Be sure to read the write up HERE.
From his press release:
In 1955, Eugene Polley (1915 – 2012) designed the first ever wireless remote control for the Zenith Radio Corporation. At the press of a button, the remote would magically flash an invisible light from across the room and turn your TV set on, off, or change channels, all without you budging from the couch. It was an invention that changed the nature of television.
To kick off 2013 at 18 Hewett Street, Protein is proud to present interactive artist Chris Shen’s original artwork INFRA, a largescale installation that marks the (more…)
NYX Visual Label has done some pretty impressive work in the last year, and they’ve expanded their studio offerings with NYX Atelier, focusing on the design and production of permanent digital art installs and light devices for private and public clients in Europe. Louis de Castro tells me “LIGHTBOX is a semi-modular, custom build LED ceiling that was designed by NYX Atelier for the reopening of Paris underground music venue “Panic Room” in January 2013. LIGHTBOX was developed by NYX Atelier along with Vincent Coutelin, our technical director, and Romain Belloche, our light designer, both overseeing the fabrication and visual programming aspects of the installation.
Thanks to Vincent we had the chance to travel to Shenzhen, China to purchase all the parts and electronics required but also to visit the fantastic factories and suppliers that now allow us to be more flexible than ever on the products and technologies we decide to use on each project.
The development of the installation also featured a fullfiling partnership with young French company, Chromateq, that supplied us with the DMX controllers and LED Player Software offering great control and customization on a simple package.
Not having the possibility budget wise to create a completely new designed software and controller we turned to them for providing a complete solution that would allow us to concentrate on the design, technical sourcing and fabrication but also provide great tools for developing rich content following the artistic vision for the piece.”
Make sure to check out NYX on their site as well as other projects that have been featured here on Projectionfreak.
To participate, all you have to do is fire up Resolume and go crazy with the sources, effects and blend modes. Make combinations that you didn’t think were possible. Stack effects as high as wedding cake to make something totally new out of that Solid Color. Flip the order of the blend modes and see what comes out. Above all, have fun with it!
The only rule is simple: you can only use the built-in effects and sources of Resolume. No still images, videos or webcam footage.
Record your output, upload it to Vimeo and post it as a reply on this thread. Don’t forget to Include your .avc as a zipped attachment.
Amaze us. First Runner Up walks away with a brand spanking license of Avenue. The Winner walks away with Arena and gets to release his or her work on the label.
Now go and make us proud!
Deadline 28th of February.
Looks like a great opportunity if you’re in the NYC area Feb. 23-24. Harvestworks is a non-profit organization dedicated to technology, art, engineering, and music. Founded in 1977, their mission is to support the creation and presentation of art works achieved through the use of new and evolving technologies.
Projectionmapping 1.0 for Beginners
presented in collaboration with Chika, this 2 day workshop serves as a comprehensive introduction to methods for creating projection mapping. The tools used in the workshop are MadMapper and Modul8. The students will get fully-functional 30-day trial versions of the software to create a collaborative projection mapping installation for the end of class. This workshop is intended for the students who want to learn how to develop projection mapping projects for future events, art installations, and performances.
Sat/Sun, February 23 + 24, 1-5pm
Cost: $230 (regular), $200 (student/member) CHeck their page HERE for more info!
Tigrelab just did this great videomapping for TV3 featuring Sacude. Projecionmapping and dance already go together well, even more so when you do it sideways 30 ft. up a wall! In addition to some fantastic camera work, a Dataton Watchout was used along with a single Barco 20k.
Roberto Fazio joined forces with Joanie LeMercier in a projectionmapping workshop sponsored by Teleknoika. Looks like it happened in November, but through the magic of Vimeo and Projectionfreak, you too can see the action. The turnout really underscores the popularity and interest that this medium has enjoyed the past year or so.
Brett Jones, over at Projection Mapping Central sent me a really neat project he worked on as an intern at Redmond. Microsoft’s ‘IllumiRoom’ is a proof-of-concept system for augmenting the area around a display with projected visualizations. Gamers- take note! Yikes…what’s going to happen when I use this with 3D glasses????
I thought this was a pretty unique way of ending a news year. Most of the time we’re treated to the same old ‘one-shot’ style story or a list of some sort….but projectionmapping is far cooler! Plus- who can’t resist a decent time-lapse? Juanjo Fernandez and his cohorts used a single 20k DPI to shoot this, although they said they’d rather have had 3 (who wouldn’t?)…real-world budgets- ugh.
Juanjo Fernandez of Gnomalab used Millumin to map it, along with:
Oscar Teston (Creator of VjSpain community) in art direction.
Rafel Gallego as Producer.
La bocina with the sound.
Romera diseño e Infografia, with the visual content, 3D and 2D.
all imagery courtesy/copyright Gnomalab