When I was a kid in the early 80′s, I had the particularly nerdy priviledge of participating in the first Rubik’s Cube-athon at Magic Mountain in California. 2,000 or so fanatics got to compete to see who could solve the cube the fastest and while my sub-one minute time garnered me a T-shirt, I sadly wasn’t even close. Fast forward to today and the cube is being used for far more fascinating devices- as witnessed in the Cube Works Studios Rubik’s Cube walls and murals. I know I know- it’s not digital…it’s not even electronic…but it’s a superb representation (in all it’s analog glory) of exactly what we see when we look at an RGB display. For a little primer, check out the Bayer Filter info….Pointillism is nothing new. Seurat, Signac, and even old Vincent Van Gogh himself were practitioners of the technique- but this…this is just fantastic!
The Cube Works is a Toronto-based art collaborative that specializes in using the ubiquitous cube for stunning, cutting-edge works of art. Smaller pieces have up to 4,000 of them and the record breaking Macau Skyline Mosaic has a whopping 85,794! In the projection and LED world we fret about pixelmapping and overlap of exacting dimensions…imagine having to flip a cube around to juuuuussst the right combination in order to physically replicate a 3×3 pixel grid! INSANE!
The end of summer is a weird time around here. The theatre season and school are about to start, I try to spend more time with my family, and the olympics are on. The damn olympics have managed to make everything seem to grind to a halt. We watch religiously and the opening ceremonies are way up there on the list. So it was that I watched and wasn’t that impressed. They had to top Beijing after all, and that’s a tall order. The big star was LED however and there were a couple of effects that I think are harbingers of things to come in LED-land. One is the LED tiles that are permanently installed throughout the stands. Tait Technologies, a longtime provider of gear on a huge scale (U2, JayZ, Roger Waters), provided the LED tiles to extend the graphic mapping of the opening ceremonies into the stands at the olympic stadium. This type of technology is going to start becoming the norm with systems like this and also with the advent of gear like the Xyloband being deployed (see Coldplay’s use HERE). But here’s the official word: (more…)
Artisan, part of UVA, used d3 to map, simulate and output content onto sculptural LED tunnels for USA telecom company Sprint’s new cinema announcement. It’s a great peek into what it takes to shoot a quality product. David Bajt and Luke Malcolm give some insight into the process….and I guess since I’m a Sprint user- at least I know my money is going towards something a little more than person’s pocket. Plus- who doesn’t love the sight of a crazy-huge jib poking a room chock full of technology with a pricey camera on the end? Keep an eye out for the super-fine Barco NX series LED panels……Check out the “making of” video and their press release:
May 29, 2012 – If your phone could truly “sleep,” what would it dream? A new interactive on-screen cinema experience created by Sprint in partnership with “Team Sprint” encourages moviegoers to turn off their mobile device in exchange for a custom mobile phone “dream”. More than 1,000 NCM Movie Theaters will show the experience on nearly 18,000 screens as part of Sprint’s courtesy-message sponsorship that asks moviegoers to turn off their phones prior to the start of a movie. Artisan, the new sister division of UK based design company United Visual Artists, was taken on board (more…)
The following is a re-print from the good folks at LiveDesign. It’s a great article on LED screen technology originally done by Fabio Aversa of Eurodisplay.com. Looks like it’s only up for a month then it’ll have to go into digital oblivion, so read it while you can! While you’re at it, have a look at Eurodisplay’s website- it’s chock full of great info about LED’s, LED technology, and outdoor displays.
Here’s a couple of videos from my friends at Reel Video Systems. Their roll-up screen are SICK and must be seen to be believed- keep in mind these can be viewed in broad daylight and still look good!. They offer a number of roll-up size options including 4,5,6, and 8 meter…..I know the guys that work there and they don’t mess around. They calibrate in-house, and can deploy screens up to 35′ high using a ground mount system. If you want some quality work with a beautiful result give them a call!. I ran a short piece on RVS a while back , but here’s a refresher if you missed it.