I love small-scale mapping projects. Pomplamoose put together this yummy little vid using one projector and a bunch of foam core- done to their mashup of Happy and Get Lucky. It would seem that after a little studying, they’re only using Final Cut and the rendering/mapping engine, which earns very high marks from me! The fact that objects move in-and-out of frame with striking precision is not so amazing (there’s lots of software to adjust this, and having exatly measured foam-core helps)- the creative thing here is the use of timing and ….well….boobs as eyeballs. Enjoy!
Software so easy, it removes all artistic skill….
I know, there are a lot of people that this new piece of software will piss off.
Calibre UK has further strengthened its LEDView530 scaler/switcher with the addition of new firmware for user selectable and variable picture-in-picture (PIP) flexibility. For all of you LED freaks out there, this ought to be a welcome upgrade. The LEDview 530 has a street price of $10,999 so it’s low-cost insurance for a great image!
From their press release:
“The new PIP function of the LEDView530 scaler/switcher adds the functionality of expensive windowing solutions available from other manufacturers in the market today, but at an affordable price,” explains Tim Brooksbank, Chairman at Calibre UK.
PIP is used for the composition of a single displayed image comprised of background content, plus a second windowed input channel, viewed on one single LED videowall. Typically the background content will be computer generated. The LEDView530supports virtually all sources including Mac and PC and the PIP content is a video feed either direct from a camera or via a vision mixer, typically over 3G or HD-SDI.
“The firmware update is considerably important for smaller installs requiring variable PIP sizes and backgrounds, particularly at smaller facilities such as sports grounds where it gives LEDView530 a significant advantage in allowing users to generate a combined image, with advanced features such as pixel-accurate PIP sizing and PIP fade in/out transitions,” adds Brooksbank.
Significantly, LEDVIew530’s PIP is inserted within the defined output pixel area, so once the overall picture size has been set tosuit the LED videowall using Calibre UK’s class-leading per-edge-based left/right/top/bottom sizing mechanism ensuring the PIP is automatically sized proportionately within that defined LED videowall pixel area. This advancedprocessing makes it very fast & simple to adjust the LEDView530 scaler/switcher for virtually any LED videowall.
“Variable PIP size can be used as a main background, so that a display showing a sports event plus scoreboard or advertising data can be composed. An event may be shown in the top portion of the screen with data below and to the right, or either side of that live image.”
The new firmware for the LEDView530 scaler/switcher is available now. Existing users can take advantage of the firmware update immediately by downloading the update free from www.calibreuk.com.
This business is full of deadlines and we all hate them. For some of us it’s more Love/Hate (I personally love tight deadlines…makes you feel alive). The following video shows a rather hectic deadline that Montreal-based GraphicsEmotion dealt with around Coachella time. Next time you have a deadline, remember what it must be like for a bunch of people to have that same deadline, and what it took to get to the end! We’ll look at some more great stuff from Julien Abril and the team at GEM in the very near future……
From The Agency, comes this great looking project- shot at night in the forest of Fontainebleau. Romain tells me they first shot the band members in their photo studio. Then, during the night in the forest of Fontainebleau, they projected their portraits on the rocks and trees and then took about 600 pictures (like a stop-motion). Finally, they assembled the pictures and added a camera traveling (parallax) and transitions between pictures (morphing) with Apple’s Motion software. Love that they did it on the fly, with a car battery and an inverter!
- video projector Optoma 3000 lumens
- electrical converter
- power supply car battery
- midi keyboard
- camera Nikon D800
- Apple Motion
- Apple Final Cut
d3 Technologies are pleased to announce San Carlos based rental and staging company Tekamaki have signed up to become the latest d3 Studio. With a client base ranging from NASA to Nintendo and Electronic Arts to Google, Tekamaki profiles as a high-end technical service provider with deep roots in display technology and an extremely knowledgeable staff.
Tekamaki’s capabilities range from concept development through process management, project design and staging. A small, flexible company with decades of industry experience between its team members, Tekamaki’s focus has always been on teamwork, talent, innovation and the latest in display and media technology to help their clients successfully communicate their message. Tekamaki used d3 systems on the September 2012 DreamForce event for Salesforce.com, which saw the entire San Francisco City Hall mapped up for a one-off performance by the Red Hot Chili Peppers. Based in San Carlos, California, Tekamaki team members include Matt Ward (co-founder of Element Labs), Joe Conway, Ron Machado, Robert Loney and Christopher Burdett.
I know I know….Coachella’s in full swing and UMF is so- well, done. But UMF was a huge hit this year (surprise) and along with being a huge hit, you have to have huge structures- like this one:
Design by Stephen Lieberman – SJ Lighting -sjlighting.net Production by AG Lights & Sound – ag.tc Video by ASK Media Productions – Adam Kaplan – askmediaproductions.com
Check out this massive work from QED. They were contracted to projectionmap the stage for the BBC broadcast of “Funny for Money”, a huge fundraiser put on by Red Nose Day to help people in need.
From their press release:
“QED Productions successfully delivered ground-breaking video mapping and stage lighting integration for Comic Relief’s seven-hour television broadcast on BBC One, by using nineteen high-brightness Christie 3-chip DLP projectors.
According to QED Director Paul Wigfield “not only was this was the most challenging indoor projection mapping ever attempted but also the entire rig had to be installed in just one day”. (more…)
I have a friend experimenting with low-rez video (of the tube variety) and I said I’d look into some ideas…little did I know it would lead me to Chris Shen’s fascinating work- Infra. A TV made from discarded remote controls. There’s so many great things about this piece that it’s hard to know where to start. Hacking, tinkering, re-purposing, and a smidge of nostalgia all rolled into one glorious low-rez display that has to be seen with infrared goggles. Love it! Personally, I use the Harmony 720 (actually three of them) and though I tried really hard- I could not find one in the photos. When I purchase a new monitor or TV, the remote is usually the first thing I toss- knowing full-well there are better alternatives out there. Kind of makes me think why the manufacturer bothers at all with a lame remote, but that’s a discussion for another day. The whole thing is wired to a Peggy 2, courtesy Evil Mad Scientist Labratories. Be sure to read the write up HERE.
From his press release:
In 1955, Eugene Polley (1915 – 2012) designed the first ever wireless remote control for the Zenith Radio Corporation. At the press of a button, the remote would magically flash an invisible light from across the room and turn your TV set on, off, or change channels, all without you budging from the couch. It was an invention that changed the nature of television.
To kick off 2013 at 18 Hewett Street, Protein is proud to present interactive artist Chris Shen’s original artwork INFRA, a largescale installation that marks the (more…)
Devin Wambolt over at DCBolt Productions gave me the heads-up on this crazy nightclub install they just completed. The club is Castle Nightclub in Chicago and they premiered the system for a huge NYE bash this year. Devin reports: “We are using three different types of LED’s in this system, (aside from the house lights) LED panels, LED strips, and LED modules. Our LED strips are (32x) SMD5050 LED pixels per meter, our Modules are (5x) SMD5050 LEDs per pixel, the LED panels are 6 millimeter pitch SMD2835 LED pixels. The led strips and modules are run by MADRIX Ultimate for real-time dynamic playback. The LED panel screens are being driven by a custom configured Resolume Arena setup.
Some pretty impressive work, and I’ll be sure to check it out next time I’m in Chicago!
Brett Jones, over at Projection Mapping Central sent me a really neat project he worked on as an intern at Redmond. Microsoft’s ‘IllumiRoom’ is a proof-of-concept system for augmenting the area around a display with projected visualizations. Gamers- take note! Yikes…what’s going to happen when I use this with 3D glasses????
SOTA Creative drives game changing experience for Subaru Australia.
Following product supply challenges that resulted from the tragic Japanese earthquake and tsunami, Subaru Australia needed a game changing communication experience to re-motivate their Dealer Network and Launch two new models. As long term experiential agency for Subaru Australia, the team at SOTA conceived and produced a one-off experience incorporating a “Virtual Drive”, where all 240 people in the audience became passengers in a unique 360 degree cinematic creation. On over 125 metres of continuous screen, a Full High Definition projection system took our audience on a drive through some of Australia’s iconic landscape and environments.
SOTA Creative conceived and produced two major 360 degree cinematic experiences, one each for the reveals of the Impreza and the XV, plus continually changing 360 degree visual effects for environment design and speaker support for the duration of the evening. The images were created and edited to be delivered at Full High Definition (22,000 pixels wide and 1080 pixels high). The virtual drive experience was shot using a purpose built 9 camera rig which was mounted on a custom-fitted Film vehicle. Post production was done both in Los Angeles and Sydney and converted by SOTA to be projected through 12 Christie Projectors (HD-10k) and a Dataton Watchout Control system. Haycom provided the Christies and the staging/rigging.
all imagery courtesy/copyright SOTA Creative
After a worldwide search, SOTA Creative sourced a Los Angeles based camera system and rig capable of delivering 22,000 pixel width 360 degree images, developed a post production process to deliver the finished programs to a Watchout controlled system and then to 12 matched Christie projectors. Social Animal used the incredible SA360 rig to deliver the goods. (Make sure to check out their site for some cool interactive loops and extra footage- and some pretty amazing case studies).The continuous audience surround screen surface was a challenge in itself, needing to be floor to ceiling, while allowing “openings” for audience arrival, F&B service and the revealing of Vehicles and Entertainment. The LA team from Social Animal came to Australia for literally a 3 day shoot. We also used a still shoot of the interior of the car to produce the interior of the car and then this was added as the foreground of the video. We then had the challenge of doing rescaling up to 22,00 pixel width and had to crop it to our Aspect Ratio requirements and cut it up to suit the 12 Christie projectors (12 movies playing together using the ‘Watch out System”. And before all of this could happen we had to produce the foreground plate with the ‘interior of the car’. We produced this as a 22,000 pixels wide by 1080 high all played in full high definition. The end result was projection 106 metres around all the audience. Notice, also that the ‘rear view mirror’ had the same image as the ‘rear window’.
And here I thought that was just my favorite bar reply….
Netherlands-based media firm Circus Family combined forces with Jurlights and came up with this huge 360-degree projectionmapping at Gashouder Amsterdam. The gig was for Amsterdam Couture house, Scotch and Soda, for the launch of their 2013 line. Using four Hippo HD’s they were able to pipe content to ten Barco HD20′s mounted in a ring in the center. They used the ScreenWarp feature to cut the roundness and then threw in a couple of Hippo Critters with a 16×16 DVI matrix to finish it off. Technician Menno Broere tells me they didn’t even have to blend the projectors…just masked out some physical attributes. That’s how we like it- simple and clean. So many times this type of technology is ‘over done’ from the production side, so it’s nice to see people keeping to the oldest axiom in show biz- Keep It Simple Stupid.
Well….The Venetian. In Las Vegas. But it looks like Venice, right? The Projection Studio is at it again with a winter wonderland being projected onto the facade of the Venetian Hotel in Las Vegas. Ross Ashton is no stranger to giant projection gigs, having accomplished some pretty amazing projects this past year. You can read more about them here or over at the Projection Studio’s website.
London, UK, based The Projection Studio – led by Ross Ashton – has delivered a spectacular and eye-catching new monumental video projection show to help celebrate the ‘Winter In Venice’ Festival at the world famous Venetian resort in Las Vegas.
Ashton has also created a series of works for a permanent video son et lumière extravaganza which was launched in summer and is being show nightly, year round. The colourful, vibrant giant images are projected on to a 25 x 25 metre canvass forming part of the Venetian’s frontage including a full scale replica of the famous Clock Tower from St Mark’s square in Venice. Ashton was initially asked by the Venetian to consult on the technical installation and produce all the projection artwork, after which he tendered and won the project having faced off some serious competition!
The newest ‘Winter In Venice’ video work is centered around Amadora, a character with roots deep in Italian folk lore, created by the Venetian as a key symbol for their 2012 Festival. In the projection show, she represents an anthropomorphisation of time – she is young at the start of the year and ages with the passing of time. Ashton developed this temporal idea and combined it with Vivaldi’s famous Four Seasons violin concertos as a starting point for his visual imagery, which follows the changing seasons of the year. It starts with the chilly ice of winter covering the building, which melts to reveal the flowers, positivity and energy of spring. For summer, viewers are transported to vivacious fields of blooming sunflowers, complete with a massive bee flying through, colliding with dandelions and pollinating them which then transitions into autumn. Grapes grow up the side of the building, mushrooms sprout and dance emphatically to the music and leaves swirl and jive around in a sea of movement, being buffeted by the seasonal breezes. These blast the action into winter, where the building ices up again … ready for the Festive season.
The five-minute piece is accompanied by a special re-worked version of The Four Seasons created by UK based sound artist, Karen Monid. She created one minute musical vignettes based on Vivaldi’s score, but very much in her own style.
A key reason that The Projection Studio was chosen to produce the series of visual shows is Aston’s reputation for pictorial storytelling with detailed historical references, which can really bring significance and relevance to any building or environment. The Venetian’s team wanted each show to have real depth and substance as well as being instantly accessible for the public. The resulting ‘live art’ phenomenon has been hugely successful at the Venetian with the initial three daily shows, and this has now continued with the special ‘Winter In Venice’ work. Says Ashton, “The challenge was to produce a unique and interesting narrative to engage onlookers in each case, which also required a distinctive Venetian feel, and had to be delivered to exceptionally high standards”. He has really enjoyed the experience, in the process adding The Venetian to a growing list of global landmarks to receive the Ashton projection art touch!
Ashton created all the storyboarding and worked alongside two other graphic designers – Nils Porrmann and Sang Gun Kim – on the imaging.
Congratulations to Mark Coniglio, creator of Isadora, for a WTA win! It’s hard to say how Izzy has affected me in my work- it’s the first app I used for video manipulation, and the one that kept me hooked- but it’s so much more than that. The Isadora user community is pretty unique. If you haven’t had a chance, check out Troikatronix and give it a whirl. Chances are it’ll change the way you work.
NEW YORK, October 23, 2012: The World Technology Network, in association with CNN, TIME, Technology Review, and Science, awarded composer and media artist Mark Coniglio the 2012 World Technology Award in the category of the Arts at a ceremony at the Time & Life Building in New York City.
The award recognizes “innovative work of the greatest likely long-term significance.” Coniglio’s award in the arts category recognized his contribution as a composer, media artist and co-founder of the performance group Troika Ranch; as the creator of the interactive media-software Isadora; and for his contribution as a teacher who has shared his aesthetic vision and technical know-how through innumerable workshops across the globe.
Of his award, Coniglio said “I’m thrilled to receive this wonderful honor. I’ve spent my life exploring the intersection of art and media, trying to find ways to use computer technology to more deeply express the human experience. To have that journey acknowledged by the WTN is truly gratifying.” The new WTN Fellows and Corporate Members were officially inducted into the WTN membership during a gala ceremony at the Time & Life Building in New York City, where the winners were announced. The Awards gala occurred at the close of the World Technology Summit, a two-day “thought leadership” conference held in association with the WTN’s partner organizations.
The World Technology Awards have been presented by the WTN since 2000, as a way to honor those in 20 different categories of science and technology and related fields. The annual World Technology Awards nomination process is an intensive global one, lasting many months. The Award nominee pool this year of over 600 nominees came from three sources: names put forward by the WTN Fellows (winners and finalists from previous annual Award cycles in the individual Award categories); research by the WTN staff; and, to a lesser extent, from nominations from individuals and companies themselves.
The WTN is a curated membership community comprised of the world’s most innovative individuals and organizations in science, technology, and related fields. The WTN and its members – those creating the 21st century — are focused on exploring what is imminent, possible, and important in and around emerging technologies.
Yikes! When do you ever get a chance to see the likes of Joanie Lemercier, Kyle McDonald, and Joel Gethin Lewis in the same room demonstrating real-time video artwork? At the ScreenLab Residency that’s where! Through the ScreenLab 0×02 residency, artists Kyle McDonald, Joanie Lemercier and Joel Gethin Lewis worked together with students and researchers at MediaCityUK and an advanced technology center on the main campus (Dig this place: The Centre for Visual Environments). It features the Octave, a truly astounding setup which is detailed HERE. Together they developed interactive artworks that provided a unique experience for each visitor by creating artificial worlds using sound and visuals that react to their movement.
The results of the residency were unveiled at a launch event on Wednesday 5 December which formed part of the University’s As Yet Impossible series of lectures, bringing together future thinkers to challenge audiences and give them a glimpse of how science and the arts can combine to shape the world. The really cool thing is that most of the work is openly available on Github- Here’s Kyle’s, Here’s Elliot Woods’ (curator and open source contributor to vvvv). The following is the Livestream broadcast (jump to :41-ish for the true start):
Just got a note from Wilderbe, a dance troupe that uses projectionmapping techniques to enhance their performance. Looks like they are running an IndieGoGo campaign to raise funds for a projector purchase. Let’s see….projection, dance, performing arts+technology….how could we resist? Have a look at their showreel and campaign vid below and, if you’re so inclined, head over to there IndieGoGo page to throw’em a buck or two. As we all know, this business isn’t necessarily the cheapest and creation takes effort- financially and emotionally. Director Nova Han would be most appreciative.
“Wilderbe has already performed at 2 world class festivals as main stage acts, performed at a private event for Bob Pitman CEO of Clear Channel, as well as shared the stage with Alicia Keys and Katy Perry. Crowds and reviewers have expressed how immersed they became while watching Wilderbe’s theatrical performance synergize with technology. I am beyond impressed by their performances and completely agree that the show “changes people’s perceptions of reality”, “is surreal”, “avant-garde”, and “the future of entertainment.” Its the perfect media convergence that evokes a one of a kind visual-sensory experience. We are trying to fundraise to get two projectors and a screen so that our team can master this fusion between different mediums of art.”
Pandora’s Box is updated to 5.3 with Widget Designer to 4.0! What are you waiting for? Go HERE and get it!
Useful information about the new Pandoras Box Version 5.3:
- Please notice that the new handling of stock assets will create a folder “c:\coolux\content\stock assets” on your system. The Stock Assets installer file itself can be found right underneath the Pandoras Box Rev7832 file in the appropriate section in the download sector.
- Breakout panes
Right click on panes/tabs for possibility to breakout separate panes out of the main frame
- Matrix Patcher brushes
Create patch in new matrix patcher and save, drag .pbx file as asset and drop it on any(!) output, real time update via “update patch” in matrix patcher.
Select an output as preview and choose “select matrix mask” for matrix preview
- Image sequences
Right click on project, choose “create image sequence” and then attach or right click on folder in asset tree and choose “import as image sequence”
- Image converter, Transparency in mpeg-videos
The Image Converter is able to render a mpeg video from an image sequence. In version 5.3 it includes the feature to generate a black-and-white mask in addition to the main video. You may choose to include the b/w information side-by-side like, resulting in one video. In Pandoras Box, the Masking effect “Alpha Left Right” (respectively “Alpha Top Bottom”) separates the two videos again and renders them while applying a keying effect to the main video.This workflow leads to transparency (alpha channel) in mpg-videos and saves far more performance than other codec solutions.
- Widget device
Choose from “device types” and set the key for commands which are sent to the Widget Designer
- Content as interface: layer picking
With the feature “Layer Picking” in version 5.3, content interaction has gone one step further. It is now possible to recalculate the mouse position within the preview or even the client´s fullscreen window and thus recognize what layer is touched and where exactly on the layer the mouse is located. A layer has become a true interface.
- Network card selection
Select a defined network card in “configuration” for communication of master and clients (restart the application after selection).
In the matrix patcher you can choose another network card to send Art-Net data
- “Layer routing to render passes”
Lets you route layers to only specific outputs and gives you the possibility to reorder the “Video Processing Pipeline”
“Black level compensation”
Enables you to adjust the black level within softedge projections. From now on, layers can explicitly be set to be included or excluded by the first Pandoras Box render pass and thus be placed outside from the warp / keystone / softedge structure. This setting is available in the layer’s Inspector.
- Software Development Kit
There are new functions within the Pandoras Box SDK (PB Automation). Please refer to the help file chapter SDK that has been revised and now offers many examples and detailed description.
- Unlimited ASIO Tracks
The number of available ASIO Tracks has been increased. Unlimited audio tracks for synchronized audio playback, are available for:
- all Pandoras Box Server PRO versions
- Pandoras Box Manager PRO
- Pandoras Box Editor and
- Pandoras Box Offline Manager
Widget Designer 4.0 main changes:
- Web Server Integration
Pages can be published and can be controlled by all HTML-capable devices
STD: one page – one session
PRO: multiple pages – multiple sessions but all synchronized
ULT: multiple pages – multiple sessions
- Redesign GUI
A type of script that helps to directly execute certain types of commands.
A script auto-completion feature that saves time during programming.
- Several new controls, commands, nodes and features
The Online User Manual on the coolux website has been updated to include the latest help file, which can be downloaded as a CHM file in the documentation section of the download center.
Projectionmapping artists Obscura recently installed a HUGE permanent projectionmapping rig for The Hive, a night club in Copenhagen. The decorations for the walls were modelled in SketchUp and transformed into flat shapes using the Pepakura Software. The different fragments were then laser cut in thick cardboard. Assembling the pieces wasn’t easy, but with patience and small nails, acrylic foam and other remedies they were put onto the wall and fastened.
They used six 4000 lumen Acer projectors for covering the two walls. They were mounted below the ceiling to cover 11 by 3 meters on each wall. The connections were made using HDMI cables. The longest stretch was approximately 15 meters – about the furthest you can go without amplification.
A Mac Pro with an ATI Radeon 5870 graphics card was connected to two TrippleHead2Go devices. On the machine, Madmapper handled the precise mapping of pre rendered graphics to the physical shapes. But apart from that we created a box with buttons that allows the employees to switch between the different prerecorded video loops. The box was created using an Arduino board that communicates with Max/MSP on the computer. Max/MSP handles the timing, fading and switching between modes and forwards a midi signal to MadMapper which then reacts by switching between between presets. Also it was a requirement that a VJ should be able to connect to the system. The VJ switches to a setting on the Arduino box and plugs in a DVI cable. This mode is handled by a Blackmagic capture card that forwards the VJ signal into Milumin. Here the VJ signal is adjusted to the dimensions of the walls (the signal is tiled and mirrored) and the output from Milumin is then via Syphon put into MadMapper.
So once again we see a prime example of how a little thought and ingenuity go a long way. Expensive components and complex gear need not be the purvey of video, mapping, or permanent installs, indeed- you can get some pretty astounding results with less. Nice work Obscura!
Electrosonic is pleased to announce that it has taken part in five projects that have captured Thea Awards for Outstanding Achievement. Presented by the Themed Entertainment Association (TEA), the Thea Awards recognize and honor excellence and breakthrough innovation in visitor experiences, attractions, exhibits and places.
The 19th annual Thea Awards will be presented April 6, 2013, at a gala dinner at Disneyland Resort in Anaheim, California. TEA is an international non-profit association representing the world’s leading creators, developers, designers and producers of compelling places and experiences.
Electrosonic played key roles in five very diverse Thea Award winners.
Working directly for Walt Disney Imagineering, Electrosonic performed the AV systems installation of the “Radiator Springs Racers” ride at Disney California Adventure Park. Winning in the Attraction category, the ride puts visitors in the driver’s seat for a thrilling race through the world of Disney-Pixar’s “Cars.”
Electrosonic’s close working relationship with Universal Studios has resulted in another award winning attraction. Electrosonic handled AV system design and integration for another winner in the Attraction category: “Transformers: The Ride 3D” at Universal Studios Singapore and Universal Studios Hollywood. The attraction is an immersive, next-generation thrill ride that puts participants in the middle of the ultimate war zone with the famed Transformers.
Winning in the Museum category is Canada’s Sports Hall of Fame in Calgary, for which Electrosonic provided AV system design and integration services. The dynamic new facility celebrates Canada’s sports heroes and legends in a dozen galleries with compelling media and displays.
Working for WET Design, Electrosonic performed the projection system design and integration for WET’s contribution to Living Screen display at the “Big-O Experience” water sculpture at Yeosu 2012 International Expo in Korea, a winner in the Event category. The unique multimedia installation fused a breakthrough concept and cutting-edge technology to dazzle visitors.
Finally, Electrosonic was hired by Thinkwell Group of Burbank, CA to provide design, engineering and installation services for the “Warner Bros. Studio Tour – The Making of Harry Potter” in London, which netted honors in the Studio Tour category. At this venue, visitors experience the “making of” process used to bring the extraordinary characters, worlds and events of the books alive on the big screen.
Check out their projector lamp website while you’re at it- there’s a link on the right—-> or click Electrosoniclamps.com.
A little projection pr0n from a recent gig. It was for Intergalactic Nemesis, a ‘live’ comic book, where the action gets played out by performers in front of the screen. In this case, a Da-lite 28′ RP surface, with two Digital Projection Lightning 35hd’s. I also used a Barco ImagePro for processing and a shameless plug for Coolux test patterns. Happy Friday!
Right here in my hometown! In fact, I got a peek at it before opening night and it looked cartoonishly huge even without being powered up. I might get a chance to get to rig an event around the behemoth this weekend so I’ll snap some more photos….but for a write up, check out Commercial Integrator’s web article.
The new scoreboard features twin 1080p HD video screens (Mitsubishi Electric Diamond Vision™ 6mm LED), each measuring 50 feet long – extending nearly foul line to foul line – by 21 feet high, about 2,800 square feet in total space. In addition to the HD screens running the length of the court, the rectangular scoreboard is capped by a pair of 25 feet by 14 feet full 1080p HD video screens facing each baseline. Completing the interior portion of the Bankers Life Fieldhouse upgrade is a pair of LED video displays, one in each balcony end zone. The displays measure 23’ by 10’ and provide fans with stats, replays, and other game-related information.
Through ANC Sports’ VisionSOFT operating system, the new audio and video upgrades work with the arena’s existing LED ribbon and digital courtside signage systems.
ANC also updated the aging audio system, head end and broadcast control room. The new control room was built out complete with a full 3G broadcast infrastructure with 1080P signals and production equipment to provide unprecedented image quality. ANC’s unique 64-bit operating system maximizes the clarity of the scoreboard as the operating system does not scale its content, enabling the video screens to display 1:1 resolution.
For all my friends in the Netherlands….Dataton is running a one-day Watchout Academy event at Projectiondesign HQ. It’s free, free, free! Head HERE to register
The WATCHOUT Academy is a one-day seminar designed to take you through the key features in award-winning WATCHOUT multi-display production and playback software.
The event kicks off with basic skills before moving on to a more advanced level, and the latest features in WATCHOUT. The Academy is run by members of the WATCHOUT team from Dataton HQ in Sweden and AVtrade, the WATCHOUT Premium Partner in the Netherlands, all with many years of WATCHOUT experience. There will be a Q&A session at the end of the day.
Whether you’re an old hand at WATCHOUT or new to the system, we look forward to seeing you at the WATCHOUT Academy.
Important: Training sessions are free, but participants must pre-register below as seating is strictly limited.
Place: Projectiondesign office, De Boelelaan 28,1083 HJ Amsterdam, Netherlands. Click for map.
Dates: November 28 or December 12
Edge-blending just became obsolete. Well, at least SOME edge-blending that is. Projectiondesign just released the F35 Panorama, a projector with a 21:9 aspect ratio. Funny, because just today I was looking at an ad for a 21:9 monitor and it seemed strange to me that you wouldn’t just use two monitors, given that monitors are pretty cheap and most graphics cards can handle it anyway…..but this- this is just crazy when you think about it. It’s still a single chip DLP, but up to 7k! Now if they can work this into the F85 series…..or if I can just upgrade my Optoma in the basement….
A unique projector designed for advanced meeting rooms and collaborative spaces in which users are sharing a variety of graphical image content both locally and remotely, the F35 panorama boasts an exceptionally wide image aspect ratio of 21:9 or 2.37:1. In an office environment with an average ceiling height, this enables images as wide as 4m (13’) to be created without the need for edge-blending the output of two separate projectors.
Furthermore, the F35 panorama’s flexible input configuration means that it can project simultaneous side-by-side images from two separate high-resolution sources, fill an entire screen from a single source, or simply set up a video conference call next to a computer presentation.
Anders Løkke, Marketing Director, projectiondesign, comments: “We have introduced the F35 panorama to address (more…)